Social, political, historical and cultural

  • BOOK – fake news vs media studies – J.McDougall
  • “I’ve always said you can’t understand the world without the media nor the media without the world  professor Natalie Fenton
  • “I do spend long periods of time with my gaze turned away from the media, because I’m seeking to understand what’s going on out there, and then the role of the media in that context. I’m always putting the social, the political and the economic contexts first.” 

WAR OF THE WORLDS

  • HISTORICAL – power and influence of radio in its early days
  • SOCIAL, CULTURAL, POLITICAL – broadcast on the eve of WW2 to reflect fears of US invasion

LETTER OT THE FREE

  • soundtrack 13th amendment documentary

HIDDEN FIGURES

  • potentially controversial themes of race in the US
  • particular groups being ‘hidden from history’
  • SOCIAL, CULTURAL – targets an audience often ignored by Hollywood (age, gender and race)

MAYBELLINE

  • contemporary debates around identity and the self
  • reflexive, fluid identity (many MUA)

TEEN VOGUE

  • combines politics and fashion
  • feminsit stance
  • radical voice in US mainstream media due to reports or Trump’s presidency
  • social + economic – succeeded whilst other online magazines have struggled to maintain audiences

Rag- self assesment

Language & Representation 
• Music videos 
• Advertising and marketing

Letter to the Free

Ghost Town 

Maybelline 

Score 

Audience & Institution 
• Radio 
• Newspapers 
• Film (industries only)

War of the Worlds

The i 

Daily Mail

Hidden Figures 

All Four Areas 
• Television (audio/visual) 
• Magazines (Print) 
• Online, social and participatory media 
• Video games.

Television 

Men’s Health

Oh

Teen Vogue 

Tomb Raider

SEMIOTICS

Semiotics

MEDIA LANGUAGE 

The Language of Print 

CSP Revision:

Language and representation:Audience and Institution:All four areas:
Letter to the free
Ghost Town
Maybelline
Score
War of the worlds
The i
Daily mail
Television
Men`s Health
Oh
Teen Vogue
Tomb raider

figures (eg numbers)
dates
quotes
key words
theories / theoretical models
key theorists / thinking
primary evidence (your own research)
secondary evidence (wider reading)

CSP’S

Language and RepresentationAudience and InstitutionAll Four Areas
– Letter To The Free
– Ghost Town
-Maybelline
-Score
-War of the Worlds
-The I
-Daily Mail
-Hidden Figures
-Television
-Men’s Health
-Oh
-Teen Vogue
-Tomb Raider

a2 nea

For the last weeks of this Autumn term we are looking to complete the A2 NEA.

  1. For details of the NEA briefs visit the NEA page.
  2. For up to date information and answers to questions that other students have asked pleased make sure you REGULARLY look at out FAQ’s page.
  3. Make sure your intentions and ideas match the set brief.
  4. Make sure you are fully aware of what you need to do – ie the exact requirements for each production.
  5. Make sure you don’t lose sight of the theoretical perspectives! So this part of the course is about applying narrative theory, audience theory, representation, semiotics, feminist critical thinking, postcolonialism, postmodernism etc etc to your own practical production work.
  6. Make a plan of action (you have 5 weeks!) so plan your time, your resources, your skills, your participants.
  7. Complete your statement of intent and submit to me on relevant form (can be found on the NEA page). DEADLINE IS FRIDAY 18th @3:20 – email, blog, office 365 etc
  8. Make sure you have gone through your personal statement with me.
  9. Make sure you have reviewed your AS work with me.
  10. Makes sure you are on track to complete your work by the deadline!!