Knowledge to use
- processes of production, distribution and circulation by organisations, groups and individuals in a global context
- the relationship of recent technological change and media production, distribution and circulation (streaming services, piracy, etc)
- the impact of ‘new’ digital technologies on media regulation, including the role of individual producers.
- the significance of patterns of ownership and control, including conglomerate ownership, vertical integration and diversification
- the significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products
- how media organisations maintain, varieties of audiences nationally and globally
- the interrelationship between media technologies and patterns of consumption and response
- How media producers target, attract, reach, address and potentially construct audiences
- How media industries target audiences through the content and appeal of media products and through the ways in which they are marketed, distributed and circulated: widely distributed on video hosting sites aimed at a youth audience but also consumed by the audience for political documentary.
- How audiences interpret the media, including how they may interpret the same media in different ways (Hall Theory of Preferred Reading)
- Cultivation Theory
- Uses and Gratifications Theory
- how your knowledge of the institutional details of the text ie specifics facts, figures, names, dates etc about the text. At this point show your knowledge of the music industry and use key terms (see above)
- Next, show how audiences may (theoretically) interpret media texts ie audience theory.
- Follow this up with specific ideas that suggest how certain audiences may interpret this particular text (ie apply the theory to this CSP)
- Finally, make some summative conclusions based on your knowledge and understanding that show the importance of culture in terms of engaging with issues of power and control. For this you could reference Gramsci & his concept of ‘hegemony’ and/or Habermas and his concept of ‘the public sphere’
Facts:
Common works under Def Jam, which is owned by Universal Music Group, which is owned by Vivendi (french conglomerate). Vivendi also owns Vevo.
letter to the free released 2016 for the documentary 13th. it got the NAACP Image Award for Outstanding Song – Contemporary
hall’s theory of preferred reading with examples
hegemony and the public sphere