Category | Familiararities | Differences | Theory |
Characters | The ‘super’ detective, with a natural instinct for law and order. The second ‘lower’ detective who isn’t as super/good. The victim – Young, Female – ‘vulnerable’ | The lead detective is female. The second detective is male, portrayed as inferior compared to female detective. | Propp(Character Types, 8 Stock Characters) |
Narrative | First episode intoduces a lot of different characters | Todorov (Equalibrium, Distruotion, Resolution) | |
Themes | Levi-Strauss (Binary Opposition (Villain and Hero)) | ||
Representations | Female victim, represented as weak. | However, Female (detective) Stong, independant = hero = female | Semiotics |
Technical Codes/Language Of Moving Image (music, setting, props, lighting, use of camera, editing etc) | Pathetic Fallacy – dark/ dull weather to match the characters attitude. Setting – Rural and Urban with rural being portrayed as the safest. |
Daily Archives: 11/14/2019
Filters
SImilarities and differences in the killing
Characters
Similarities:
The detective who has a ‘natural’ instinct for law and order
The farther is headstrong and very protective of his daughter
Differences:
The Killing and The missing has the main detective as female
Quotes and Theories
Narrative
Similarities:
The first episode often introduces a lot of different characters
Main/sub main character is the killer
Difference:
Murder was revealed in the first episode
Quotes and Theories
Themes
Similarities:
The use of binary oppositions around familiar themes: family, community, law and order, justice.
Emotion displayed through pathetic fallacy
Differences:
Quotes and Theories
Representation
Similarities:
reactionary representations of police, family, law and order, urban/rural
Differences:
Quotes and Theories
Technical Codes
Similarities:
Opening montage sequence that often gives clues as to the whole series – themes, locations, characters, events etc.
Differences:
Quotes and Theories
CATEGORY | SIMILARITIES | DIFFERENCES | THEORY |
CHARACTERS | the detective who has a ‘natural’ instinct for law and order Student female teenage victim | The Killing, The mising has the main detective as female | PROPP |
NARRATIVE | the first episode often introduces a lot of different characters | found out in the killing victim is dead in first episode | TODOROV |
THEMES | the use of binary oppostions around familiar themes: family, community, law and order, justice. Urban areas being bad. The city being good/safe | LEVI-STRAUSS | |
REPRESENTATION | reactionary representations of police, family, law and order, urban/rural | SEMIOTICS | |
TECHNICAL CODES / LANGUAGE OF MOVING IMAGE (music, setting, props, lighting, use of camera, editing etc) | opening montage sequence that often gives clues as to the whole series – themes, locations, characters, events etc. |
review of the killing
CATEGORY
CHARACTERS
NARRATIVE
THEMES
REPRESENTATION
TECHNICAL CODES / LANGUAGE OF MOVING IMAGE (music, setting, props, lighting, use of camera, editing etc)
SIMILARITIES
The detective who has a ‘natural’ instinct for law and order
One of the detectives is of course a genius and has heightened knowledge and instincts to solve the case
The first episode often introduces a lot of different characters
Everything starts off equilibrium
The use of binary oppositions around familiar themes: family, community, law and order, justice.
have elements of urban and rural landscapes
reactionary representations of police, family, law and order, urban/rural
the killers were all outsiders who you wouldn’t have suspected to be the killer from first interaction
opening montage sequence that often gives clues as to the whole series – themes, locations, characters, events etc.
DIFFERENCES
The Killing, The missing has the main detective as female (radical ideology)
THEORY
PROPP
TODOROV
LEVI-STRAUSS
SEMIOTICS
pathetic fallacy
CATEGORY | SIMILARITIES | DIFFERENCES | THEORY |
CHARACTERS | the detective who has a ‘natural’ instinct for law and order | The Killing, The mising has the main detective as female Male sidekick | PROPP |
NARRATIVE | the first episode often introduces a lot of different characters | Ended with death, usual starts with death | TODOROV |
THEMES | the use of binary oppostions around familiar themes: family, community, law and order, justice. | Identity – female lead, male sidekick | LEVI-STRAUSS |
REPRESENTATION | reactionary representations of police, family, law and order, urban/rural | Radical gender roles for Detectives | SEMIOTICS |
TECHNICAL CODES / LANGUAGE OF MOVING IMAGE (music, setting, props, lighting, use of camera, editing etc) | opening montage sequence that often gives clues as to the whole series – themes, locations, characters, events etc. |
THE KILLING
CATEGORY | FAMILIARITIES | DIFFERENCES | THEORY |
CHARACTERS | the detective who has a ‘natural’ instinct for law and order | The Killing, The mising has the main detective as female | PROPP |
NARRATIVE | the first episode often introduces a lot of different characters | The missing girl was found dead in the first episode. | TODOROV |
THEMES | the use of binary oppositions around familiar themes: family, community, law and order, justice. | identity. a female is the main hero. | LEVI-STRAUSS |
REPRESENTATION | reactionary representations of police, family, law and order, urban/rural | Radical gender roles and having a male sidekick | SEMIOTICS |
TECHNICAL CODES / LANGUAGE OF MOVING IMAGE (music, setting, props, lighting, use of camera, editing etc) | opening montage sequence that often gives clues as to the whole series – themes, locations, characters, events etc. | ||
THE KILLING ANALYSIS
CATEGORY | SIMILARITIES | DIFFERENCES | THEORY |
CHARACTERS | the detective who has a ‘natural’ instinct for law and order | The Killing, The missing has the main detective as female | PROPP |
NARRATIVE | the first episode often introduces a lot of different characters | found out she was dead at start, normally they are found dead at the end | TODOROV |
THEMES | the use of binary oppostions around familiar themes: family, community, law and order, justice. | identity | LEVI-STRAUSS |
REPRESENTATION | reactionary representations of police, family, law and order, urban/rural | radical response- the detectives are females, normally seen as males. | SEMIOTICS |
TECHNICAL CODES / LANGUAGE OF MOVING IMAGE (music, setting, props, lighting, use of camera, editing etc) | opening montage sequence that often gives clues as to the whole series – themes, locations, characters, events etc. | clues are identified throughout the series | |
similarities aND DIFFERENCES
Categories | Similarities | Differences | Theory |
Characters | The detective who has a ‘natural’ instinct for law and order | The Killing, The mising has the main detective as female | Propp |
Narrative | The first episode often introduces a lot new characters | In the missing the girl comes back however the girl dies in the killing | TODOROV |
Themes | The use of binary oppositions around familiar themes: family, community, law and order, justice. | Theme of death is in the killing, the theme of hope. | LEVI-STRAUSS |
Representation | Reactionary representations of police, family, law and order, urban/rural. | SEMIOTICS | |
Technical Codes | opening montage sequence that often gives clues as to the whole series – themes, locations, characters, events etc. | ||
The Killing And The Missing
CATEGORY | SIMILARITIES | DIFFERENCES | THEORY |
CHARACTERS | The detective who has a ‘natural’ instinct for law and order. Victim, Villain and Hero | The Killing, The mising has the main detective as female | PROPP |
NARRATIVE | The first episode often introduces a lot of different characters, and there are also a lot of different themes introduced, story is set. The victim is often found/discovered | The missing peaks at the beginning as the girl comes back and is supposedly alive, whereas The killing starts at equilibrium | TODOROV |
THEMES | The use of binary oppostions around familiar themes: family, community, law and order, justice. Some sort of crime drama | LEVI-STRAUSS | |
REPRESENTATION | Reactionary representations of police, family, law and order, urban/rural | Radical representation of main detective as The killing had a female detective but The missing had the stereotypical male detective | SEMIOTICS |
TECHNICAL CODES / LANGUAGE OF MOVING IMAGE (music, setting, props, lighting, use of camera, editing etc) | Opening montage sequence that often gives clues as to the whole series – themes, locations, characters, events etc. | The killing has less dramatic music than The missing | |
CATEGORY | SIMILARITIES | DIFFERENCES | THEORY |
CHARACTERS | the detective who has a ‘natural’ instinct for law and order | The Killing, has two detectives, one female. The missing has the main detective as male | PROPP |
NARRATIVE | the first episode often introduces a lot of different characters | the missing had a non linear time structure | TODOROV |
THEMES | the use of binary oppostions around familiar themes: family, community, law and order, justice. | the missing was a mystery that links to something much much larger rather than the killing which felt more like a murder mystery that was just one person or small group | LEVI-STRAUSS |
REPRESENTATION | reactionary representations of police, family, law and order, urban/rural | the killing has a lead female detective which is radical. Both have active and protective mothers which is half reactionary half radical | SEMIOTICS |
TECHNICAL CODES / LANGUAGE OF MOVING IMAGE (music, setting, props, lighting, use of camera, editing etc) | opening montage sequence that often gives clues as to the whole series – themes, locations, characters, events etc. | the missing shows a big but early twist which entices the viewer to invest. Furthermore, the music in the missing has a more emotional feel rather than the killing which attempts to entice the viewer straight away by showing tension |