Task 1: The Context of the Wiemar Republic

To begin, there was the issue of Revolts & Putsches. In 1919 the Sparticists revolt from leftist Communist Parties showed how fractured socialist views were nation-wide. The 1920 Kapp Putsch was an attack from the right that further showed how tumultuous the country was politically.

Economically, the 1923 Invasion of the Rhur Valley by French & Belgian forces caused the government to begin printing bank notes to pay the factory workers, that in turn caused hyperinflation. People had little savings, and especially the newly emerging middle class, ‘mittlestad’, fared worst due to their savings becoming virtually useless.

Overall, the early years of the republic scarred its people for the rest of its short life, and this instability and fear people had at the time channeled itself into German expressionism in its horror and escapism themes.

Task 2: The Expressionist Art Movement & Culture

Expressionism is an art movement that originated in Western Europe in the late 1800s. To begin, it was more about stylising the texture of paintings, for example Van Gogh’s ‘wheatfield with cypresses’. Gradually, paintings from Monet, (as his sight began deteriorating), featured increasingly experimental colour palets, (see below)

Monet’s accidental experimenting in colour influenced art & style in the 1920s to become what it is known for today.

Importantly, the international post-war ‘live life’ mantra echoed globally, and pop-culture was born. The Expressionist Movement didn’t confine itself to art, but expanded to music & film, as well as fashion and in everyday life such as the many buildings and furniture designs churned out by the Bauhaus school of architecture.. Art was now on posters, on people and on buildings. In 1927 there were over 600+ speakeasies/Jazz clubs in Berlin alone, where this new style was celebrated.

Task 3: Why has managed to stay in business?

UFA is a German Motion picture company, and at points was the largest film producer globally. It has kept in business due to the company’s willingness to allow directors freedom in their film-production, leading to the creation of new genres and styles like science-fiction in Fritz Lang’s ‘Metropolis’ of 1927.

Their studios in Germany were also very highly held, and directors such as Hitchcock, Wilder and Tarantino have used them.

Task 4: Name 3 other films identified by critics as German Expressionist Films.

Task 5: Name 3 films from the 40s-60s that take influence from German Expressionism.

Task 6:

I believe ‘2001: A Space Odyssey’, (1968), by Stanley Kubrick takes heavily from German Expressionism, especially reviving the early sci-fi genre presented by Fritz Lang’s Metropolis.

The two films present an innovative and experimental take on the Sci-Fi Genre. Take these two shots above. Notice how stylistic the outfit of the Astronaut is above, or the intricate details of the steam-powered factory and its workers in Metropolis.

Visually, the two films are similar. Take these two shots above, where the grandeur of futuristic buildings and spaceships feature.

Overall, I believe ‘2001: A Space odyssey’ took huge inspiration from Metropolis, evident by its portrayal of the technological progress of humanity, and the introduction of Robotic/AI characters.

Established 1917 when the German government owned most of the nation’s leading studios, UFA aimed to promote German culture to enhance Germany’s international image after World War I. These studios were highly equipped and some of the most modern in the world, producing some of the most artistically outstanding and technically competent films in the silent era.

In 1927 UFA was on the brink of financial ruin. However, the company was purchased by Alfred Hugenberg. He was a future Hitler supporter who forced the company to devote itself to promoting German nationalism, which proved popular during Nazi Germany. However, the rising production costs and a shrinking international market meant that in 1945 after the wars end the company closed down. A new UFA company was launched in 1956, but eventually went bankrupt.

 

Name at least 3 other films identified by critics as Classic German Expressionist films (add illustrations).

Describe some of the stylistic conventions associated with the Expressionist art movement. Post some additional examples of Expressionist Art.

‘Conventions of the expressionist style include distortion, exaggeration, fantasy, and vivid, jarring, violent, or dynamic application of colour in order to express the artist’s inner feelings or ideas.’ Expressionistic art aimed to express emotional experiences oppose to physical reality.’

Expressionism was an art movement and international tendency at the beginning of the 20th century, which spanned the visual arts, literature, music, theatre and architecture. The aim of Expressionist artists was to express emotional experience, rather than physical reality.

Expressionist art presented the world from a subjective point of view. It distorted the world to create an emotional effect. They usually involve intense and jarring colours, distorted lines and non-naturalistic brushwork.

Examples:

Why has UFA managed to stay in business?

 UFA was established in 1917 when the German government consolidated most of the nation’s famous studios. This German motion-picture production company that made artistically outstanding films during the silent era and its purpose was to promote German culture, was located in Berlin with the best equipped and most modern studios in the world. It encouraged and promoted experimentation and imaginative camera work and employed directors such as Ernst Lubitsch, known for directing sophisticated comedies.

The company was purchased in 1927 by the financier Alfred Hugenberg, a future Hitler supporter who mandated that the company devote itself to films that promoted German nationalism. But company was pressured to make National Socialist films almost exclusively when the Nazis came to power in 1933. The resulting films proved popular in Germany, but rising production costs and a shrinking international market resulted to large deficits. The government bought the company in 1937 and after started to control film content. The company ceased to exist after the war’s end in 1945. A new company called UFA was launched in 1956, but it eventually went bankrupt.

Explain how the political, social and economic context of the Weimar Republic affected the production and content of classic German Expressionist Cinema.

Between 1918-1933 Germany were attempting to recover from the impact of WWI, such as having to pay back reparations as agreed by the Treaty of Versailles.

‘The New Objectivity movement started in Germany in the aftermath of World War One. It challenged its predecessor, Expressionism , which was a more idealistic and romantic movement. Artists returned to a more realistic way of painting, reflecting the harsh reality of war, and, Experimentation in German art came to an end when the Nazis came to power in 1933’

The economic disruption of the Weimar period produced an Expressionist style in German film-making, with films often having unrealistic sets and featuring exaggerated acting techniques with the film makers favouring darker storylines and themes, including horror and crime. The shortage of funding, due to the war impact, gave rise to the Kammerspielfilm movement, with atmospheric films made on small sets with low budgets.

Explain how the political, social and economic context of the Weimar Republic affected the production and content of classic German Expressionist Cinema.

As a consequence, German expressionism gave birth to two new cinematic genres: the Gothic horror movie and film noir (crime thrillers which explore the darker aspects of human behaviour).

Probably the best-known German expressionist film, Metropolis is part-science fiction and part-social allegory. It depicts a future society where citizens have been split into two distinct classes: the elite, who enjoy lives of leisure in the sun, and the workers, who toil monotonously beneath the ground.

Metropolis was an incredibly ambitious project for its time. It cost around five million marks, took several months to film and employed up to 300 extras. It proved unpopular with movie-goers but was critically applauded and is considered a forerunner to modern science-fiction movies.