All posts by Mia Marcondes-Browning

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ROLE 1ROLE 2ROLE 3 (3min film)
ROLEDirectorEDITOREditorDirector (break fourth wall)Cinematographer
TITLEYou’re Fired!Forth Wall – Woman boot fighting lipstickPills of Madness Crime comedy – Red Notice / Brooklyn Nine-Nine InspoHow to make a bowl of cereal
GENREDrama, NoirDrama, ActionRomance?Action? Crime, Comedy, MockumentaryComedy
MOVEMENT INFLUENCE(S)Film NoirFrench New Wave
PRACTITIONER Orson Welles – Citzen KaneKill Bill, Breathless (jumpcuts) Dan Goor and Michael Schur – Brooklyn Nine Nine

Rawson Marshall Thurber – Red Notice


What we do in the shadows
Wes Anderson – The Grand Budapest Hotel
TARGET AUDIENCEMainstream Audience
PRODUCTION SCALE3 Actors, Few person crew
KEY THEMES/ISSUESBreaking from societies rulesDrunk/Addicted to Love

Independent Short Film

Element
Chosen RoleCinematographer
Specific TechniquesSymmetry, Whip pans
GenreComedy
Story Outline“How to make a bowl of cereal”. Someone is trying to make a bowl of cereal but faces countless challenges on their way.
LocationKitchen, Neighbourhood
Kit RequiredTripod, Camera, Lights
Additional CrewLighting
Cast2 characters?
InfluencesWes Anderson

Map, Hero’s Journey

Mia’s TA Introduction

For this textual analysis, I have selected Ana Lily Amirpour’s 2014 cinematic creation, dubbed as “The First Iranian Vampire Western,” titled ‘A Girl Walks Home Alone at Night.’ This film is set during the time of its production in 2014 and weaves a narrative around the character Arash, a young man burdened by his father’s addiction, and ‘The Girl,’ a vampiric protagonist who embarks on a mission to eliminate the evil men of Bad City, thereby safeguarding its female inhabitants. I have chosen the section of the film from 1:20:19 to 1:25:19, which constitutes the film’s climactic scene. In this sequence, ‘The Girl’ kills Arash’s father, who, in a morally reprehensible act, violates a woman by forcing her to take drugs unwillingly. In the aftermath of this vendetta, ‘The Girl’ leaves the father’s lifeless body thrown across the sombre streets of Bad City, leaving his son to grapple with the grisly discovery. To analyse this section, I am focussing on the director’s use of cinematography (including visual motifs), sound design and the filmmaker’s cinematic vision. The context examined focuses on social and political factors connected to the film around its production time.