- Children of men
Kee revealing her pregnancy in the barn.
2. A girl walks home alone at night
Arash enters her house dressed as a vampire
3. Vampire meets Saeed.
Kee revealing her pregnancy in the barn.
2. A girl walks home alone at night
Arash enters her house dressed as a vampire
3. Vampire meets Saeed.
mark: 6/10
Memorable Scene: When Shirin invites Arash to her house
Mark: 7/10
Memorable scene 1: The death of Bonnie & Clyde- ending
Memorable scene 2: Bonnie meets her mother
mark: 9/10
memorable scene: when we find out that Kie is pregnant ; barn scene
A young up incoming boxer must prepare for the biggest fight of his life while dealing with his own internal challenges along the way.
CINEMATOGRAPHY- TATE
DIRECTOR- MARIA
EDITOR- POPPY
SOUND- ALL
SCREENWRITING- ALL
This task was challenging as we did not have enough context of the whole story or plot, therefore we had to assume certain aspects of the story. therefore research into the story would help.
The formatting of a script was challenging to follow because we have not had a lot of practice at creating screenplays.
This task was useful as it made us more observant to details and making sure we include every detail regarding the character, setting or actions.
A screenplay is a finalised script of how the story is thought out expressed through writing. This includes shooting directions of a story prepared for motion-picture production. It includes the story and everything that is seen or heard on screen: locations, character dialogue, and action.
Key narrative + technical conventions of the French New Wave approach to film making. Left & right bank approach.
Some narrative and technical conventions of the French New Wave are:
In film, the left bank group embraced a loose association of writers and film-makers that consisted principally of the directors Chris Marker, Alain Resnais, and Agnès Varda. They had in common a background in documentary, a left wing political orientation, and an interest in artistic experimentation.
The “right bank” group is constituted of the more famous and financially successful New Wave directors associated with Cahiers du cinéma (Claude Chabrol, François Truffaut, and Jean-Luc Godard). Unlike the Cahiers group, Left Bank directors were older and less movie-crazed. They tended to see cinema alike to other arts, such as literature.