The craft of cutting/splicing scenes in order to assemble a finished film.

The Shining (Kubrick, 1980)

CRITICAL SCORE: 8/10

MEMORABLE SCENE: Jack chasing Danny in the maze (ending) this final sequence reveals the impact of Jacks deteriorated mental state and the location of the labyrinth aids to build tension as we cut between Jack and Danny.

Shot Nm	Shot Type	Shot Angle	Shot movement	Notes
1	ECU to MCU	Cantered angle	Zoom out to MCU	Tears in his eyes Continuous laughter
2	MS from the side looking at Joker and Social Worker	Eye level	Still
3	Close up of Jokers face, side profile	Eye level	Still	When Joker begins to speak
4	Cut to close up of SW face	Eye level	Still	“Its certainly tense…”
5	Cuts to Jokers face	Eye level	Still
6	LS looking down from corner of the room	High angle	Still	“Could ever work in an office”
7	MCU of Joker	Eye level	Still
8	Cuts to ECU of SW smiling	Eye level	Still
9	Cuts to shot of SW writing on paper	Birds eye view	Still
10	MS of Joker looking down on the piece of paper	Eye level	Still
11	ECU to SWs eyes looking across the room to the clock	Eye level to High Angle	Pans to clock on wall

LOCATION: Ms. Bedward’s Office 

ACTORS: JOKER- Mia Marcondes-Browning SOCIAL WORKER- Iona Hendry

Blade Runner (Scott, 1982)

CRITICAL SCORE: 7.5/10

MEMORABLE SCENE: Deckard and Pris (Doll scene) WHY: When Pris is shot (retired) she lets out these horrifying screams making the scene raw and disturbing; her convulsions also enhance this scene, reinforcing how she isn’t human and is practically malfunctioning as a doll/robot would. Making her performance haunting for the audience. Her display of acrobatics highlights how she is inexperienced and child-like despite being in an adult body.

Cinematography 

Blend of science and art used to capture, manipulate and store moving images for the purpose of creating a motion picture. Example of cinematography are the decisions made about lighting, camera filters and lenses when shooting a movie scene. The art, science, and work of photography in making films. 

Cinematographer 

A cinematographer, also known as a Director of Photography, oversees the camera and the lighting crew. They’re the person responsible for creating the look, colour, lighting, and framing of every single shot in a film.  

Immediately it’s clear that all the films on the list have been distributed by large, household names. Displaying how these large companies dominate the industry compared to independent film makers. 

Furthermore, the most popular genre within the top 10 is Action (with 6/10 films being part of this genre). Shockingly, 4/5 within the Top 5 grossing movies of 2022 are Action films demonstrating just how popular the genre is. 

Additionally, 7/10 films are sequels, 1/10 (The Batman) is a reboot of batman, 1/10 (Elvis) is a Biopic of Elvis Presley and 1/10 (Uncharted) is based on a popular videogame franchise, highlighting how all the movies within the top 10 previously had a fan base before the release of the film, immediately suggesting that these films would get mass views due to the previously established fan base. (No original ideas) 

All films listed in the top 10 contain bankable stars, e.g. the marvel movies contain many household names like Elizabeth Olsen, Top Gun features Tom Cruise, Elvis stars Tom Hanks etc. 

Art Film	Mainstream Film	Historically Significant Film
Once Upon A Time In The West	Love, Simon	Battleship Potemkin
Fitzcarraldo	A Bugs Life	The Seventh Samurai
Alphaville	The Shape of Water	The Wizard of Oz
The Shape of Water	The Breakfast Club	Fitzcarraldo
	The Wizard of Oz

Inquirers: Don’t be afraid to ask questions. Question director’s techniques and choices to broaden your understanding. 

Knowledgeable: Having knowledge of films and directors, along with learning certain terminology. Be able to exchange ideas. 

Thinkers: Exploring unique and creative ways to film, coming up with scripts and possible movie/scene ideas. Be able to analyse your own work and think the best way improve it. 

Communicators: It’s important to effectively communicate with people especially in a group environment. Don’t be scared to ask questions or make suggestions. Listen and respect other people’s choices and views. 

Principled: Take responsibility for your work and your actions. Try not to let others down especially when working with a group you must be committed and do your part, specifically, when filming a group project. 

Open-minded: Exploring and harnessing other people’s methods and ideas especially in a group setting; being flexible when working as a group or with feedback. Listen and respect other viewpoints.  

Caring: Act positively to others and try to assist them when they are visibly struggling (e.g. not understanding something.) 

Risk-takers: Don’t be afraid to try something out of your comfort zone when filming or coming up with new ideas. Try to make your work unique to you. 

Balanced: Make sure you evenly distribute work between people when working as a group. Also make sure to balance your own workload so you’re not overwhelmed. 

Reflective: Be able to reflect on your own work and take constructive criticism in order to improve the result. Try to understand your strengths and weaknesses and how to better yourself in order to up your standard of work. 

In Moulin Rouge, many of the scenes are presented as if on a stage. The Moulin Rouge cabaret itself is presented as flamboyant and extravagant along with Satine’s elephant designed room. This is further demonstrated through theatrical costumes worn by those in the cabaret and the bright lighting within the Moulin Rouge.  

Lighting 

The Red interior contrasts the blue exterior (Paris). As Zidler remarks at one point, “outside it may be raining, but in here it’s entertaining.” The Moulin Rouge is a place where one goes to escape reality (the blue reality). The Juxtaposition of these two colours is utilized though out the film. Perhaps the red implies a warm, lustful and heated atmosphere with the blue being sad, cold and bitter.  

These two colours are also used during ‘El Tango de Roxanne’ where Satine is seen drenched in blue light up in the Dukes tower whilst Christian is below drenched in a red light. The high and low angles with Satine above and Christian below accentuate the distance between them both physically and emotionally. 

Costume 

Satine is dressed in grand and extravagant costumes to highlight her as the most beautiful and successful woman of the Moulin Rouge. Many costumes worn by her at the cabaret heighten this image of her as a man’s ultimate fantasy. It was important to make the costumes historically accurate (around 1889) whilst also incorporating fresh modern elements to help the audience connect whilst feeling enthralled. 

Costumes were fabulous and bold accentuating the theatrics of the cabaret showground whilst enthralling the audience guiding their attention. 

Movement 

During the performance of ‘Spectacular Spectacular’ the characters move at hyper speed creating a hectic and confused atmosphere, this is reflected by the Dukes reaction and this same overwhelming and bewildered feeling pervades the audience.  

In contrast, when Santine faints the speed deliberately slows showing her gradual descent in order to increase dramatics.  

Cinematography 

Almost the entire film was shot on stage, using elaborate scaled sets of the Moulin Rouge club in Paris built for the film. An anamorphic lens was used whilst shooting to give an opulent and grand visual. For scenes such as ‘El Tango de Roxanne’ and other performance numbers multiple cameras were used to capture the frantic energy, furthermore the endless coverage of cameras at various angles could result in amazing, unpredictable shots. However, most of the drama was shot single-cam. In certain shots you can see Satine encircled by men (during performances) not only does this result in a stunning picture it also suggests how Satine is seen as this temptress with a strong appeal to men. 

In filmmaking, mise-en- scène introduces viewers to the world of a movie. This refers to all elements used within a single shot and how they are arranged. This is done using techniques such as set design, lighting, sound, costume, props and movement to give viewers an understanding of each scene. 

‘What is put into a scene or frame’