| Production Role 1 | Production Role 2 | Production Role 3 – Complete Film | |||
| ROLE | Editor | Cinematographer | Director | ||
| GENRE (SUBGENRE) | Psychological horror | Black and white- romantic-breathless car scene | mockumentary | science fiction/AI | Psychological/horror Stalker/ American Psycho-morning routine |
| MOVEMENT INFLUENCE(S) | German expressionism | French new wave | Traking shots/ pans/ following/ naturalistic camera, reactions, wide shots, props | aesthetic/ flowy cinematography, makeup/ hair/ blue light- Blade runner 2049 aesthetic | porps, costumes, setting design |
| PRACTITIONER INFLUENCE (S) | Robert Wiene Continuity editing | French new wave- non continuity | tracking shots, naturalistic camera | Filmmake shots, wide shots, angles, focus, depth of fiels, wide shots, classic hollywood style | |
| TARGET AUDIENCE | Horror fans | Families/Romance fans | comedy fans | science fiction fans | |
| PRODUCTION SCALE | few person crew | feperson crew-3/4 | 3/4 | 2/3 | |
| KEY THEMES/ISSUES | unstable mental health hallucinacion | non connected naturallistic environments/ daily romance | cheating/ interview comedy, following the cheater/ reactions when finding out | Blade runner/ Alexa gone rogue/ girl assistant AI | |