| Production Role 1 | Production Role 2 | Production Role 3 – Complete Film | |||
| ROLE | Editor | Cinematographer | Director | ||
| GENRE (SUBGENRE) | Psychological horror | Black and white- romantic-breathless car scene | mockumentary | science fiction/AI | Psychological/horror Stalker/ American Psycho-morning routine |
| MOVEMENT INFLUENCE(S) | German expressionism | French new wave | Traking shots/ pans/ following/ naturalistic camera, reactions, wide shots, props | aesthetic/ flowy cinematography, makeup/ hair/ blue light- Blade runner 2049 aesthetic | porps, costumes, setting design |
| PRACTITIONER INFLUENCE (S) | Robert Wiene Continuity editing | French new wave- non continuity | tracking shots, naturalistic camera | Filmmake shots, wide shots, angles, focus, depth of fiels, wide shots, classic hollywood style | |
| TARGET AUDIENCE | Horror fans | Families/Romance fans | comedy fans | science fiction fans | |
| PRODUCTION SCALE | few person crew | feperson crew-3/4 | 3/4 | 2/3 | |
| KEY THEMES/ISSUES | unstable mental health hallucinacion | non connected naturallistic environments/ daily romance | cheating/ interview comedy, following the cheater/ reactions when finding out | Blade runner/ Alexa gone rogue/ girl assistant AI | |
Daily Archives: November 20, 2023
Filters
Outline for Portfolio
| Production Role 1 | Production Role 2 | Production Role 3 – Complete Film | |||
| ROLE | Sound | Cinematography | Director | ||
| GENRE (SUBGENRE) | Mockumentary/Sitcom. | ||||
| MOVEMENT INFLUENCE(S) | French New Wave (Left Bank) | cruis | French New Wave (Right Bank) | ||
| PRACTITIONER INFLUENCE (S) | Dunkirk | La Jetee, Marker (1962). | Breathless, Godard (1960). | This Country, Daisy May Cooper/Tom George. | |
| TARGET AUDIENCE | Younger/middle-aged. | ||||
| PRODUCTION SCALE | Very minor, 1-2 actors and filmed in my own home. Will need red lights. | 2 actors, permission from museum to film. (dream + irl postman). | 4-5 Actors, easily applied scale and minimal props. | ||
| KEY THEMES/ISSUES | Fear of the dark. | Visit to the museum. | Rural young people. | ||
Outline For Portfolio
| ROLE 1 | ROLE 2 | ROLE 3 (3min film) | |||
| ROLE | Director | EDITOR | Editor | Director (break fourth wall) | Cinematographer |
| TITLE | You’re Fired! | Forth Wall – Woman boot fighting lipstick | Pills of Madness | Crime comedy – Red Notice / Brooklyn Nine-Nine Inspo | How to make a bowl of cereal |
| GENRE | Drama, Noir | Drama, Action | Romance?Action? | Crime, Comedy, Mockumentary | Comedy |
| MOVEMENT INFLUENCE(S) | Film Noir | French New Wave | |||
| PRACTITIONER | Orson Welles – Citzen Kane | Kill Bill, Breathless (jumpcuts) | Dan Goor and Michael Schur – Brooklyn Nine Nine Rawson Marshall Thurber – Red Notice What we do in the shadows | Wes Anderson – The Grand Budapest Hotel | |
| TARGET AUDIENCE | Mainstream Audience | ||||
| PRODUCTION SCALE | 3 Actors, Few person crew | ||||
| KEY THEMES/ISSUES | Breaking from societies rules | Drunk/Addicted to Love |
Outline for Portfolio
| Production Role 1 | Production Role 2 | Production Role 3 – Complete Film | |||
| ROLE | Editing | Sound | Screenwriting | ||
| GENRE (SUBGENRE) | Horror | Thriller/drama | Comedy | Film Noir | |
| MOVEMENT INFLUENCE(S) | German Expressionism | French New Wave | (Visuals is film noir) | Film Noir | |
| PRACTITIONER INFLUENCE (S) | Babadook?? Psycho??? | Need to research-Breathless? | Hans Zimmer (Dunkirk), Foley | Edgar Wright (John Williams?- leitmotif?) | Double Indemnity- Billy Wilder |
| TARGET AUDIENCE | Horror fans | ||||
| PRODUCTION SCALE | 1 character | 1 or 2 characters | 2 characters | Around 3 characters | |
| KEY THEMES/ISSUES | Mental? | ||||