ONE TO ONE MEETINGS COMPARATIVE PROJECT

STUDENT NAMESESSION 1SESSION 2SESSION 3
Iona17th April (A)1st May (A)5th May (B)
Mia24th April (A)27th April (A)2nd May (A)
Maria24TH April (B)27th April (B)2nd May (B)
George18th April (A)25th April (A)28th April (A)
Charlie19TH April (A)21st April (A)3RD April (A)
Tate19TH April (A)26th April (B)3RD April (B)
Poppy20th April (A)26th April (A)4th May (A)
Noah20th April (B)21 April (B)1st May (B)
Aaron17th  April (B)18th April (B)28th April (B)
Ollie25th April (B)4th May (B)5th May (A)

‘Dogme 95’ Film Movement

In the 1990’s, many filmmakers began to resent the industrialised direction much of the film industry was headed. Big-budget blockbusters designed to attract sales over artistry polluted the landscape, provoking Danish directors Lars Von Trier and Thomas Vinterberg to commence the Dogme 95 movement.

The movement attempted to reinstate realism into the film industry, with a strict manifesto being formulated which directors had to follow if they wished to release a film under the Dogme title. It attempted to rid filmmaking of the confinement mainstream films placed onto the art by outlawing things like excessive special effects and props which weren’t available to the director in the real world.

The ‘Vow of Chastity’ (The rules of the Dogme movement):

South Korean New Wave

Korean New Wave refers to South Korean films from the 1980’s and 1990’s that focus on social issues and re-imagine genre film. 

Park Kwang-su is the central voice, if not the progenitor, of the remarkable Korean New Wave of the late 1980’s and 1990’s.

South Korean cinema saw domestic box-office success exceeding that of Hollywood films in the late 1990’s largely due to screen quota laws that limited the public showing foreign films.

Some of the most famous directors of this generation include Park Kwang-su, Jang Sun-woo, Chung Ji-young and Lee Myung-se.

Films from the South Korean New Wave

  • SYMPATHY FOR MR. VENGEANCE
  • THE CHASER
  • SAVE THE GREEN PLANET!
  • MEMORIES OF MURDER