Extreme close-ups are very useful A hyper-close close-up allows you to isolate and focus on particular details within the scenes of a film, revealing new ideas and emotions to the audience. However, since it is such an uneasy shot, it can sometimes break the film’s realness.
ESTABLISHING SHOT:
Establishes the geography, time of day, location and more. This gives a large amount of information to the audience using one shot. Establishing shots are essential as it helps guide the viewers and the story smoothly.
CLOSE UP:
Close-ups are commonly used in the film. This is because it shows the audience the emotion on the character’s face and gives the viewers a greater perspective into the character’s thoughts. They can also be used to dramatise a change in mood or emotion. This shot also ensures that the viewers’ intention is on the character’s face and not on the background.
The use of this ECU directs the audiences attention towards Agatha and highlights Zeros love for her whilst also exploring the heavenly confusion of young love. Alternately, it could suggest that Agatha is a permanent fixation in Zeros mind and that his world revolves around her leaving the audience in a sense of awe for the couple.
Intra-diegetic
Blair witch project
The Blair Witch project is shot to give the illusion it’s “recovered footage” this propels the audience into the story and creates a sense of realism, enhancing the horror aspect. It also leaves the audience uncertain and horrified to whether the footage is real.
Extra-diegetic
Amelie
Amelie breaks the fourth wall multiple times in the film and directs her attention towards the audience leading them to feel as if they have been engrossed into her world all whilst being charmed by her and developing a connection.
Enola Holmes
Enola Holmes 1 & 2 also break the fourth wall taking a more extra-diegetic approach, this effective device keeps the story in motion while also adding necessary insight/description and peeks into her independent mindset.
Editing within a cinematic piece is both a technical and creative aspect of film. It is the assembly of each different element of the production, visual elements in particular. Putting different scenes together aids in the linear progression of the narrative, and can create a more immersive experience