Joker bts

Shot Nm Shot Type Shot Angle Shot movement Notes 
ECU to MCU Cantered angle Zoom out to MCU Tears in his eyes Continuous laughter 
MS from the side looking at Joker and Social Worker Eye level Still  
Close up of Jokers face, side profile Eye level Still When Joker begins to speak 
Cut to close up of SW face Eye level Still “Its certainly tense…” 
Cuts to Jokers face Eye level Still  
LS looking down from corner of the room High angle Still “Could ever work in an office” 
MCU of Joker Eye level Still  
Cuts to ECU of SW smiling   Eye level Still  
9  Cuts to shot of SW writing on paper Birds eye view Still  
10 MS of Joker looking down on the piece of paper Eye level Still  
11 ECU to SWs eyes looking across the room to the clock Eye level to High Angle Pans to clock on wall  

LOCATION: Ms. Bedward’s Office 

ACTORS: Mia Marcondes, Iona Hendry & Maria Gheorghe 

Joker shoot bts Original plan

Shot Nm Shot Type Shot Angle Shot movement Notes 
ECU to MCU Cantered angle Zoom out to MCU Tears in his eyes Continuous laughter 
MS from the side looking at Joker and Social Worker Eye level Still  
Close up of Jokers face, side profile Eye level Still When Joker begins to speak 
Cut to close up of SW face Eye level Still “Its certainly tense…” 
Cuts to Jokers face Eye level Still  
LS looking down from corner of the room High angle Still “Could ever work in an office” 
MCU of Joker Eye level Still  
Cuts to ECU of SW smiling   Eye level Still  
9  Cuts to shot of SW writing on paper Birds eye view Still  
10 MS of Joker looking down on the piece of paper Eye level Still  
11 ECU to SWs eyes looking across the room to the clock Eye level to High Angle Pans to clock on wall  

LOCATION: Ms. Bedward’s Office 

ACTORS: JOKER- Mia Marcondes-Browning SOCIAL WORKER- Iona Hendry

starting notes

Joker BTS

Shot NmShot TypeShot AngleShot movementNotes
1ECU to MCUCantered angleZoom out to MCUTears in his eyes Continuous laughter
2MS from the side looking at Joker and Social WorkerEye levelStill 
3Close up of Jokers face, side profileEye levelStillWhen Joker begins to speak
4Cut to close up of SW faceEye levelStill“Its certainly tense…”
5Cuts to Jokers faceEye levelStill 
6LS looking down from corner of the roomHigh angleStill“Could ever work in an office”
7MCU of JokerEye levelStill 
8Cuts to ECU of SW smiling  Eye levelStill 
9Cuts to shot of SW writing on paperBirds eye viewStill 
10MS of Joker looking down on the piece of paperEye levelStill 
11ECU to SWs eyes looking across the room to the clockEye level to High AnglePans to clock on wall 

LOCATION: Ms. Bedward’s Office

ACTORS: Mia Marcondes, Iona Hendry & Maria Gheorghe

Depth of field

Depth of field is the the range of distance within which all objects will be in sharp focus in a scene.

Shallow focus shots have a part of the shot that is in focus but the rest of the shot is not in focus. Whereas a deep focus shot is where every part of the shot is in focus.

Depth of field has been used in this scene from the film Hunt For the Wilderpeople to show off the natural environment and setting of the film fully, using a deep focus shot.

Camera movements

The pan is when the camera moves horizontally from a fixed position. It is used in the film The Grand Budapest Hotel multiple times. It adds comedy to the film as well as a faster pace and more engaging action to a scene.

Film Panoramas: Wes Anderson's The Grand Budapest Hotel - WM III

The dolly zoom is used to show a character having an intense internal experienced. It is used in the animated film Ratatouille to show the intense emotions eating the ratatouille is causing the critic, as he remembers the taste from his childhood and is having a flashback.

The track is used to immerse the audience in a scene. It is used in the film Shaun Of The Dead to let the audience experience the protagonist, Shaun’s, average day, as if the audience are experiencing it themselves. It also adds to the comedy, as a later scene in the film using the tracking shot, which mirrors the original scene exactly, shows how unobservant he is, as the audience would notice the zombies whilst being put in his shoes, whilst Shaun does not.

Camera angles

Loki On The Big Screen - TRIPWIRE MAGAZINE

This low angle shot from The Avengers presents the antagonist of the film, Loki, to be a powerful villain. This would make the audience feel like he is a serious threat to the protagonists. The low angle shot also displays how the character sees himself as more powerful and important than humans, and enjoys the feeling of being powerful, as in the next shot, humans are kneeling below him.

This high angle shot from the film Dune, uses the high angle to present the character as powerless and vulnerable against the Sandworm. This contrasts the low angle shots also used in the scene to display the extreme power of the sandworm.

One Perfect Shot on Twitter: "KNIVES OUT (2019) Cinematography by Steve  Yedlin Directed by Rian Johnson Read our conversation with the director:  https://t.co/iLcJxoDbjl https://t.co/4JkRuzOc0u" / Twitter

This birds eye view shot from the film Knives Out emphasizes the emotions of the character Marta, as she had just gone through a lot and now it is all over, so she can relax. The high angle shot is often used for displaying crime scenes, so this shot mirrors a crime scene, especially since she is laying down with a knife. This might suggest what could have been if the knife was not fake.

Shot distances

The establishing shot is used in the Lord of the Rings. It establishes the setting of this part of the fantasy world to the audience. By showing the whole setting, it allows the audience to get a feeling for how dangerous and frightening it is, as you can see the giant scale of it.

In Star Wars: The Empire Strikes Back, this close up shot is used to emphasize the strong emotions Luke was feeling, making the audience feel bad for him. The shock on his face also may have reflected the audiences own shock of the revelation.

Themes in Blade Runner - Wikipedia

This extreme close up shot is used in Blade Runner (1982). It is used to allow the audience to take in the sci-fi setting and see the eye’s overwhelmed feeling because of it. It also may be used to set up the eye symbolism throughout the film.

Diegetic, intra-diegetic and extra-diegetic examples

The extra-diegetic gaze is used in the film Deadpool and Deadpool 2.

Deadpool Breaks Fourth Wall and Expectations | Arts Stories & Interviews |  San Antonio | San Antonio Current

The extra-diegetic gaze is used to make the film Deadpool stand out from other superhero films, as they usually take themselves very seriously. This breaking of the 4th wall also adds to the comedic tone of the film, which also makes the film individual, as superhero films of the time were usually very serious.

An example of the intra-diegetic gaze is in film is in Titanic, when Rose and Jack are dancing.

It is used to help the audience connect with the characters, allowing them to feel the romance and joy of the scene as if they were experiencing it for themselves. Since they have connected with the characters, this makes the ending even more heartbreaking for the audience.

The diegetic gaze is used in many films to express what the director wants them to see. This is used in films such as The Shining.

Here's Johnny | Know Your Meme

The use of the extreme close up in this scene. Focuses the audience’s gaze on the fact that Jack has become insane. This may create fear for the audience, as they don’t know what he will do next.