Shot Angles, Movement and Types

Angles

Low angle

High angle

Overhead View

Dutch angle

Eye Level

Shoulder Level

Hip Level

Knee Level

Ground Level

Movement

Pan Left/Right

Crab Left/Right

Track In/Out

Ped Up/Down

Tilt Up/Down

Types

Extreme Close Up

Close Up

Medium Close Up

Master/Medium Shot

Medium Long Shot

Long Shot

Extreme Long Shot

Camera angles examples

Shoulder Angle + Low Angle: Creates tension and shows who has more power in the scene

Heathers' might be 30 years old, but it's the musical we need right now |  The Independent | The Independent
Heathers [1988]

Eye-Level: Gives a childlike view and allows the viewer to immerse themselves in the film

Coraline | Sky.com
Coraline [2009]

High-Angle: Allows us to see the whole room and looks down on the character which shows how defenceless he is in this situation

💙Nanami Kento Simp No.723💚 on Twitter: "Goodbye Beni #TeamImhotep… "
The Mummy [1999]

Shot Types and uses

Name of ShotDescription of Shot in Relation to the SubjectUse in Storytelling
Extreme Close-Up [XCU]Part of their Face ie: eyes take up the frameGets inside of a character
Close Up [CU]Whole face takes up the frameReveals character’s emotional state
Medium Close-Up [MCU]Head and Shoulders in frameReveals a characters emotional state and shows the background
Low Angle Shot [LA]/High angle Shot [HA]Looks down on the character
Looks up on the character
Represents characters status/how much power they have
Extreme Long Shot [XLS]Only scenery visible can’t make out individual peopleUsed as an establishing shot
Medium Shot [MS]1 or 2 subjects in frame from waist height sometimes taken from ‘over the shoulder’ of one of the characters [OSS]Often used as a master shot/2 shot/shot-reverse for conversations
Pan/TiltCharacter moves whilst staying in the same place [their eyes are moving]Mimics a static character looking round a scene
Track [On a dolly, Steadicam or handheld]Camera follows a subject by moving along with themIntra-diegetic – brings the audience into the scene

Name Of ShotDescription of shot in relation to subjectUse In Storytelling
Extreme Close-up(XCU)Part of the face takes up the entire screen. (eyes, mouth e.g.)Gets inside the head of the character
Close-up(CU)Whole face takes up screenReveals characters emotional state.
Medium Close-up(MCU)Head and shoulders in framesubjects emotions +surroundings.
Low Angle LA
High angle HA
Waist/knees upwards.
Shows what characters are in power and who are not. Intimidated or intimidator.
Extreme Long Shot (XLS) Only scenery visible, Characters barely or not visible.Used as an establishing shot.
Medium Shot (MS)One or two characters in frame from waist height or sometimes over the shoulder of one of the characters (OOS)Often used as a master shot/Two shot/shot-reverse for conversations
Pan/ Tiltcamera moves across the horizon/camera moving up and down.Mimics a static character looking around.
Track (on a Dolly, steadicam or handheldcamera follows subject moving along with themaudience is following the action, more involved.

Blog Checklist

  1. Summer Task (What makes a good film? )
  2. Activity 1 Induction slides :Connecting the IB Learner Profile to Film Studies
  3. Activity 2 Induction slides: Categorising Film.
  4. Activity 3 Induction Slides : Identify a Formula for Box Office Hits
  5. Mise en Scene “Chaotic vs Anally Tidy” Examples.
  6. Mise en scene definition
  7. Mise en Scene Choose a Film which you think demonstrates “excellent use of Mise en Scene” and explain why. (Remember to illustrate your ideas with still images from the film!)
  8. Homework WK 1: (20 /09/21) Film as Art “Spectrum” Activity (from Monaco How to Read a Film).
  9. Bladerunner First Response and Memorable Scene
  10. Homework WK 3: (27 /09/21) Bladerunner Mise En Scene Essay (E MAIL TO ME DIRECT)
  11. Cinematography/Cinematographer definition (28/9/21)
  12. Diegetic, Intradiegetic, Extradiegetic gaze examples (30/9/21)
  13. Shot Distances Examples (1/10/21)
  14. Shot Angles Examples (1/10/21)
  15. Shot Movement Examples (1/10/21)
  16. Shot Types Table (4/10/21)
  17. 1st group shoot evaluation
  18. Kubrick cinematography.
  19. The shining first response
  20. Homework WK 3:Shining essay on Cinematography (18/10/21) (E MAIL TO ME DIRECT)
  21. Definition of Editing (18/10/21)
  22. Kuleshov effect
  23. Joker Project

Categorising 14 FIlms.

MainstreamHistorically SignificantArt Film
Deadpool 2(2018,David Leitch) Deadpool 2 is a superhero movie, starring Ryan Reynolds, Josh Brolin and Julian Dennison, which is known to use the extra-diegetic gaze for comedic purposes. Just from the cast list alone you can see that this film was bound to do well.A Bug’s Life(1998, John Lasseter) may seem like a mainstream film at first glance but this film was actually the second film to use completely computer generated animation, obviously this shows now due to a fast acceleration in technology which allowed this animation style to become much better but it still hold the test of time fairly well.The shape of water(2017, Guillermo del Toro) is a film about a lonely janitor who meets and then falls in love with a humanoid amphibious creature. I put this film in the art category because it’s definitely not a film that the masses would enjoy which eliminates it from the mainstream category and I don’t think it was Historically significant either.
Love, Simon(2018, Greg Berlanti) is a story based around Simon Spier and how he keeps his sexual orientation a secret from his family. However, when a blackmailer threatens to reveal it, he goes on a roller-coaster journey to come to terms with his identity. I cant see this fil in any other category.The wizard of Oz(1939, Victor Fleming) is a play/movie which is well known for being the first ever film to use colour, and keeping in mind that basically every film being made and probably to be made will be in colour I think it’s obvious to put this film in the historically significant category.Battleship Potemkin(1925, Sergei Eisenstein) is a 1925 Soviet silent drama film produced by Mosfilm. Directed and co-written by Sergei Eisenstein, it presents a dramatization of the mutiny that occurred in 1905 when the crew of the Russian battleship Potemkin rebelled against its officers. A silent film is usually going to be an art film, this film could be argued to be in historically significant but I think it belongs in art film.
The Breakfast Club(1985, John Hughes) is about Five high school students, all with different mindsets, who face detainment in their school library on a Saturday morning. As time passes by, their egos fade and they become close buddies.Toy Story(1995, John Lasseter) is Historically significant because it is literally the first completely computer-animated film, Bugs Life being second. With a 30 million USD budget it was extremely impressive since A bugs life has 15 million USD more and still was debatably visually subordinate.The seventh samurai(1954, Akira Kurosawa) is based in Japan and follows a veteran samurai, who gathers six samurais to protect a village from the cruel bandits. As the samurais teach the natives how to defend themselves, the village is attacked by a pack of 40 bandits.
Submarine(2010, Richard Ayoade) Oliver (Craig Roberts) is a Welsh teen who has some things on his mind. First is losing his virginity before his 16th birthday. He sets out to woo his feisty classmate Jordana (Yasmin Paige). Then Oliver focuses on holding his family together. By the narrative this film is definitely fitting into the category ‘Mainstream’Once upon a time in the west(1964, Sergio Leone)  Leone changed his approach over his earlier Westerns. Whereas the “Dollars” films were quirky and up-tempo, a celebratory yet tongue-in-cheek parody of the icons of the Wild West, this film is much slower in pace and sombre in theme. Leone’s distinctive style, which is very different from, but very much influenced by, Akira Kurosawa‘s Sanshiro Sugata (1943)Fitzcarraldo(1982, Werner Herzog) This film is an art film because I feel the target audience is very niche which implies the director was aiming to make a film he was interested in and didn’t care if the masses enjoyed it, I think the film is foreign which would make the audience even more narrow but regardless its been nominated for awards.
Manhattan(1979, Woody Allen) Director Woody Allen’s love letter to New York City stars Allen as frustrated television writer Isaac Davis, a twice-divorced malcontent facing middle age alone after his wife, Jill (Meryl Streep), leaves him for a woman. Isaac is dating fresh-faced Tracy (Mariel Hemingway), a high school girl. Tis film just doesn’t sound historically significant or like it fits into the art film category.AlphaVille(1965, Jean-Luc Godard) Government agent Lemmy Caution (Eddie Constantine) is dispatched on a secret mission to Alphaville, a dystopian metropolis in a distant corner of the galaxy. Caution is hot on the trail of rogue agent Henri Dickson (Akim Tamiroff) and a scientist named Von Braun, the creator of Alpha 60, a computer that uses mind control to rule over residents of Alphaville. Caution is aided in his quest to destroy the despotic computer ruler by Von Braun’s own daughter, Natacha. I put this film in historically significant because it was and still is very loved and is known to be one of the best sci-fi films to be made. But I also get the sense that this film inspired ‘Bladerunner(1982,Scott)

A Spectrum Of The Arts

Performance Arts – happen in real time.

US Tour Landing page | Les Misérables | Welcome to the Official Website
Les Misérables (Claude-Michel Schönberg, 1980)

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Representational Arts – depend on the established codes and conventions of language (both pictorial and literary) to convey information about the subject to the observer.

Vincent van Gogh. The Starry Night. Saint Rémy, June 1889 | MoMA
The Starry Night (Vincent Van Gogh, 1889)

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Recording Arts – provide a more direct path between subject and observer: media not without their own codes but qualitatively more direct than the media of the representational arts.

Original Ghostbusters Returning to US Theaters
Ghostbusters (Ivan Reitman, 1984)

(Source – ‘How To Read A Film’ by James Monaco)