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ROLE 2: CINEMATOGRAPHER

Job description:

A cinematographer, also known as a Director of Photography, is in charge of the camera and the lighting crew. They’re the person responsible for creating the look, colour, lighting, and for framing of every single shot in a film. The cinematographer may also act as the camera operator on more low-budget productions, they work very closely with the director in order to achieve their visuals.

Inspiration: John Alcott

John Alcott closely worked with the director Stanley Kubrick, being the cinematographer for 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon (which he won an oscar for) and The Shining. Three films worked on by Alcott were ranked between 1950–1997 in the top 20 of ‘Best Shot,’ voted by the American Society of Cinematographers suggesting his great skill. He believes ‘how to use angles, set-ups, lights, and camera as a means to tell the story’ implying the importance of cinematography and how it is used to create meaning.

2001: A Space Odyssey Beat Sheet - Save the Cat!®
(2001: A Space Odyssey, 1968)
The Shining is an enduring masterpiece 40 years on - Outtake Magazine
(The Shining, 1980)

sources

https://www.masterclass.com/articles/film-101-what-is-cinematography-and-what-does-a-cinematographer-do

FILM ROLES – Director

The director is the person who supervises the actors and other staff in a film. They control a film’s artistic and dramatic aspects and visualise the screenplay whilst guiding the film crew towards their vision. The director has a key role in choosing the cast members, production design and all of the creative aspects of filmmaking. Directors need to be able to settle differences in creative visions and stay within the budget.

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Sam Raimi
1. The Evil Dead (Sam Raimi, 1981) 2. Spider-Man 2 (Sam Raimi, 2004) 3. Doctor Strange in the Multiverse of Madness (Sam Raimi, 2022)

FILM ROLES – Editor

The editor works with the raw, uncut footage from a film shoot, selecting shots and combining them into sequences which create a finished, cohesive motion picture. Their duties include studying film scripts and using them to guide scene development, determining which camera angles to use and coordinating sound and visual effects in post-production. The job an editor is to creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors’ performances to effectively ‘re-imagine’ and even rewrite the film to create a cohesive whole.

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Tom Cross

My inspiration for this film role is Tom Cross. He is an American film editor who began his career in 1997 as an assistant director who contributed to projects such as ‘We Own The Night’ (2007) and ‘Crazy Heart’ (2009). Eventually, in 2015, he came to worldwide prominence when he won the Academy Award for Best Editing (among other honours) for his work on the acclaimed film ‘Whiplash’ (2014). He has stated that both ‘The Wild Bunch’ (1969) and ‘The French Connection’ (1971) were huge influences for the editing of the film and he has reunited with director Damien Chazelle on several other films.

1. Any Day Now (Travis Fine, 2012) 2. First Man (Damien Chazelle, 2018) 3. Babylon (Damien Chazelle, 2022)

FILM ROLES – Cinematographer

The cinematographer’s role in film production is to take charge of the lighting and camerawork. They create the framing, colour and look of every shot in a film and work closely with the director, tasked with capturing a scene in accordance with the director’s vision. In some instances, the director will allow the cinematographer complete independence, while in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection, though such level of involvement is less common when the director and cinematographer have become comfortable with each other. The images recorded by the cinematographer are passed to the film editor for editing.

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Emmanuel Lubezki

My inspiration for this film role is Emmanuel Lubezki. He is a Mexican cinematographer who sometimes goes by the nickname ‘Chivo’. Lubezki has worked with many acclaimed directors, including Tim Burton, and has frequently collaborated with Terrence Malick, Alfonso Cuaron, and Alejandro Gonzalez Inarritu. With his use of mise en scene, camera movements and lighting, he creates a sense of naturalism to capture the world and characters of the film. Since many of the films he works on are character-driven, Lubezki tries to capture images that utilise the characters’ emotions. He is know for his use of natural lighting and continuous uninterrupted shots in cinematography.

1. Sólo Con Tu Pareja (Alfonso Cuarón, 1991) 2. Y Tu Mamá También (Alfonso Cuarón, 2001) 3. Amsterdam (David O. Russell, 2022)

FILM ROLES – Research

Cinematographer someone who oversees or directs photography and camerawork in film-making, especially one who operates the camera.

Possible Inspirations

1. Roger Deakins 2. Hoyte van Hoytema 3. Robert Richardson

Roger Deakins – an English cinematographer who worked on Prisoners (2013), Blade Runner 2049 (2017), and 1917 (2019).

“The biggest challenge of any cinematographer is making the imagery fit together of a piece: that the whole film has a unity to it, and actually, that a shot doesn’t stand out.”

IMDb Page – https://www.imdb.com/name/nm0005683/

1. Prisoners (Denis Villeneuve, 2013) 2. Fargo (Ethan Coen and Joel Coen, 1996) 3. No Country For Old Men (Ethan Coen and Joel Coen, 2007)

Hoyte van Hoytema – a Dutch-Swedish cinematographer who worked on Her (2013), Dunkirk (2017), and Tenet (2019).

“The camera wants to follow the action. Our actors are kind of pulling the camera wherever the camera needs to be. It’s a very reactive way of filming. You could compare it with doing a documentary, where you’re always a little bit behind the action.”

IMDb Page – https://www.imdb.com/name/nm0887227/

1. Her (Spike Jonze, 2013) 2. Tenet (Christopher Nolan, 2020) 3. Ad Astra (James Gray, 2019)

Robert Richardson – an American cinematographer who has won the Academy Award for Best Cinematography three times, for his work on JFK, The Aviator, and Hugo.

“It’s far better to shoot a good picture than a good-looking picture.”

IMDb Page – https://www.imdb.com/name/nm0724744/

1. Natural Born Killers (Oliver Stone, 1994) 2. The Aviator (Martin Scorsese, 2004) 3. Platoon (Oliver Stone, 1986)

Film Portfolio – Director

Role Description: A film director handles the creative aspects of the filmmaking process. For example, they are the creative leads of the film and hold the vision throughout the project. Directors work closely with screenwriters, cinematographers, casting directors and production designers. Directors are employed by the executive producers who oversee production. They guide the actors and technical crew to help them capture their vision. Their duties consist of casting, shot composition, shot selection, editing, blocking/ guiding actors, reviewing and adjusting scripts and selecting which ones to turn into films, monitoring and approving film production budgets and ensuring that the film stays within its budget and on its timeline.

American director Ari Aster directed Midsommar (2019). Aster spent the first 4 years of his directing career making short films until 2008 when he made his feature film debut with “Hereditary”. In Midsommar (2019), Aster used blocking in an effective way. For example the use of the long table when they eat at before the beginning of the Midsummer festival. I admire the way in which Aster utilised the actors for example, in the opening scene when Dani breaks down on the phone to Christian after her parents and sister died. The scene evokes a lot of emotion and displays the actor (Florence Pugh)’s skills.

Midsommar Review | Movie - Empire

role description

role one- cinematography

 A cinematographer is in charge of the camera and the desision of which camera angles to use such as low angle shot or a high angle shot and the lighting such as side lighting or back lighting. They’re responsible for choosing a style for the film and they choose how each scene is framed. Cinematography is the art of story telling by using camera angles, lighting, zoom and focus and more. They are needed in pre and post production by planning out the scenes, shooting them and then combining them.

role two- sound

sound in a film can help create an atmosphere in the film by the use of non diegetic sound and diegetic sound. By using different types of sound in different scenes can change the meaning and the story behind the scene. This shows the importance of sound and how it is needed in a film and by the sound being good it can change the meaning of the film. The use of sound is necessary to a film,

foley artists

-when recording microphones on set cant always pick up the small sounds so they are added in post preduction

-they add in many different subtle sounds such as footsteps and doors shutting

sound designers

-an individual ultimately responsible for all aspects of a film’s audio track, from the dialogue and sound effects recording to the re-recording (mix) of the final track

sound mixers

– responsible for recording all sound recording on set during the filmmaking or television production

this requires choice and deployment of microphones

-do more specific information about differnt types of sound!! on wiki

film role 1

For the first film role I’m using editing.

The editors role in production is to put all the clips together to produce the final product. The editor brings all the raw footage together and cuts clips out of the final product that will be shared with the audience. All clips filmed are sent to the editor and the editor choses the best to go into the film. There are some techniques which a editor uses are CROSS-CUTTING or J- cuts, L-cuts and jump cuts which are used for action. Alice Ida Antoinette Guy-Blaché inspires me due to the fact that she was the first female editor and she proved that woman can edit too and its not just men. She was one of the first people to introduce narrative fiction films, which are creative films which the story is told thought the characters, plot and setting. Guy was interviewed by the New York Clipper and she explained “I have produced some of the biggest productions ever released by a motion picture company,” (https://www.nytimes.com/2019/09/06/obituaries/alice-guy-blache-overlooked.html) Which is inspirational and influences me as she was no longer overlooked as an editor and is being commended for her work. A film which has been edited to show emotion and tension is Baby Driver. This film has two directors which shows the effort that went into creating this film. Jump cuts are used within this film which build up the tension and the editing is tightly placed together to give the film we see today. (https://en.wikipedia.org/wiki/Baby_Driver)

Role one: Editing

Job description:

A film editor is responsible for turning uncut footage from a film shoot into a finished, cohesive final project. Their duties include studying film scripts and using them to guide scene development, determining which camera angles to use and coordinating sound and visual effects in post-production. Film editors are a crucial part in forming meaning in the film.

Inspiration Sally Menke :

Sally Menke was a film editor who worked very closely with Quentin Tarantino, editing all of his films until her death in 2010. She received a call saying she could edit ‘Reservoir Dogs’ and this is where their relationship began. Menke’s ‘style is to mimic, not homage, but it’s all about re-contextualising the film language to make it fresh within the new genre.’

Quentin Tarantino suggests his next movie could be Kill Bill 3 | Metro News
(Kill Bill, 2004)
Quentin Tarantino reveals he considered remaking Reservoir Dogs
(Reservoir Dogs, 1992)

Sources

https://www.indeed.com/hire/job-description/film-editor?hl=en&co=US#:~:text=A%20Film%20Editor%2C%20or%20Video,visual%20effects%20in%20post%2Dproduction.

https://www.theguardian.com/film/2009/dec/06/sally-menke-quentin-tarantino-editing