match on action-where the editor cuts from one shot to another view that matches the first shot’s action
graphic match- the first and the second shot share the same shapes, colours or composition
eyeline match-to indicate to the audience what a character is seeing
| film | rating | memorable scene | film element focus |
| whiplash | 9/10 | “not quite my tempo” | editing |
A J cut is where the audio from a following scene overlaps the picture from the preceding scene, so that the audio portion of the later scene starts playing before its picture as a lead-in to the visual cut.
An L cut is where the audio from preceding scene overlaps the picture from the following scene, so that the audio cuts after the picture, and continues playing over the beginning of the next scene.
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selecting the scenes to be shown and putting them together to create a film, allows filmmakers to get rid of imperfections
| title | rating | memorable scene | film element focus |
| The Shining (1980, Stanley Kubrick) | 8/10 | are you concerned about me | cinematography |
one point perspective
symmetry
deep focus
steadicam tracking shots
what went well: how the group cooperated and time management
what we could have done better: organised the project before hand(what shots we were going to take, whos doing what, book certain rooms like the tv studio or drama studios, using tripods or gimbals when using th camera to keep it still)
high angle shot
low angle shot
birds eye view
worms eye view
dutch angle
Eye level
shoulder level
knee level
ground level
Hip level shot(cowboy shot)
diegetic perspective (third person) – audience see whats being emphasised in a scene ie props, characters, proxemics in relation to a setting and how these aspects set a mood for a scene.
intra diegetic perspective examples in film (first person) – the audience is put into perspective of a character or object so they feel like they’re part of the action. point of view shot, subjective camera.
extra diegetic perspective examples in film (second person) – the actor is looking down the camera to speak directly to an audience therefore breaking the fourth wall
