UNIT	PRE-PRODUCTION	PRODUCTION	POST-PRODUCTION	PAGES
Comparative	Script	Audio clips Graphic cards/citations made	Editing in premiere Exporting [03/03/23]	Source List
Film Roles Portfolio	Role 1 Planning Role 2 Planning Role 3 Planning [03/03/23]	Role 1 Filming Role 2 Filming Role 3 Filming [10/03/23]	Editing Role 1 Editing Role 2 Editing Role 3 [12/03/23]	Role 1 Pages Role 2 Pages Role 3 Pages [15/03/23]
Collaborative	Main Role Planning Subsidiary Roles Planning	Main Role Shooting Subsidiary Role Shooting Graphics Constructed [09/03/23]	Main Role Editing Subsidiary Role Editing Exporting [17/03/23]	2000 Word Report [09/03/23]

Started : Yellow

Not Started: Red

Finished: Green

Working Title – ‘Good Mourning’

Role(s) Undertaken- Sound Designer (main role), writer

Date/Secretary- 18/01/23/ Matilde

Phase- Production

Present/Apologies- Matilde (Sound), Molly (Director) / Hannah (Editor)

Meeting 10:

Agenda-

Film the first few scenes

Outcomes-

Filmed the start of the film

Decided upon our next filming date

SMART targets-

1. Finish filming
2. Give the footage to the editor
3. Charge the camera

Working Title – ‘Good Mourning’

Role(s) Undertaken- Sound Designer (main role), writer

Date/Secretary- 16/01/23/ Matilde

Phase- Pre-Production

Present/Apologies- Matilde (Sound), Hannah (Editor) /Molly (Director)

Meeting 9:

Agenda-

Confirm filming dates

Mark up script

Give script to actors

Outcomes-

Confirmed filming date

Marked up script

Printed script for actors

SMART targets-

1. Begin Filming
2. Book a camera
3. Book a mic

Working Title- ‘Good Mourning’

Role(s) Undertaken- Sound Designer (main role), writer

Date/Secretary- 06/01/23/ Matilde

Phase- Pre-Production

Present/Apologies- Matilde (Sound), Molly (Director), Hannah (Editor)

Meeting 8:

Agenda-

Choose filming date

Confirm Film Genre

Outcomes-

Confirmed filming date

Chose film genre

SMART targets-

1. Begin Filming

Working Title- ‘Good Mourning’

Role(s) Undertaken- Sound Designer (main role), writer

Date/Secretary- 06/01/22/ Matilde

Phase- Pre-Production

Present/Apologies- Matilde (Sound), Molly (Director) / Hannah (Editor)

Meeting 7:

Agenda-

Create filming schedule

Outcomes-

Created a filming schedule

SMART targets-

1. Begin Filming

Working Title- ‘Good Mourning’

Role(s) Undertaken- Sound Designer (main role), writer

Date/Secretary- 06/12/22/ Matilde

Phase- Pre-Production

Present/Apologies- Matilde (Sound), Hannah (Editor), Molly (Director)

Meeting 6:

Agenda-

1. Finish script
2. Confirm filming schedule

Outcomes-

1. Finished script
2. Created a filming schedule

SMART targets-

1. Begin Filming

Working Title – ‘Good Mourning’

Role(s) Undertaken- Sound (main role), writer

Date/Secretary- 21/10/22/ Matilde

Phase- Planning

Present/Apologies- Matilde (Sound) / Hannah (Editor), Molly (Director)

Meeting 5

Agenda-

1. Finish script/add more detail

Outcomes-

1. Half the script completed

SMART targets-

1. Begin filming
2. Confirm locations
3. Confirm filming dates

Working Title- ‘Good Mourning’

Role(s) Undertaken- Sound Designer (main role), writer

Date/Secretary- 18/11/22/ Matilde

Phase- Planning

Present/Apologies- Matilde (Sound), Hannah (Editor) / Molly (Director)

Meeting 4:

Agenda-

1. Write new script
2. Plan out filming schedule
3. Confirm locations

Outcomes-

1. Started script
2. Planned for future shoots

SMART targets-

1. Begin Filming
2. Finish script

[✓] Script written & draft checked

[✓] Initial script re-written based on one set of teacher feedback

[✓] Source list compiled

[✓] V/O recorded

[✓] Still images sourced

[✓] Film clips uploaded

[✓] Timeline assembled on premiere

[✓] Initial video draft compiled

[✓] Initial video draft amended

[✓] Final video uploaded to M drive

[✓] Source list uploaded to M drive

I have decided to analyse an extract of the classic film-noir, German thriller M [Lang, 1931] in my textual analysis, a film set in the 1920’s about the police in a German city being unable to catch a child-murderer causing other criminals join in the manhunt¹. My chosen extract is 00:49:57:00-00:54:50:00 at the start of th esecond act where the scene cuts back and forth between the murderer, Hans Beckert, prying upon a potential victim through a shop mirror and a detective discreetly searching through Beckert’s home for evidence. In order to analyse this section, I will evaluate the use of mise-en-scene and cinematography and its representations and ideologies, specifically how it links to the social and historical context of the production process.