UNIT: | Pre Production | Production | Post –Production | Pages (Evidence) |
Comparative (20% EA) | Handbrake copy of films/clips Research Undertaken Draft Marked of Script Final Script Complete | Audio Commentary Recorded Clips Graphic Cards/Citations Made | Editing together in Premiere Exporting (15/02/2023) | N/A |
Film Roles Portfolio (25% IA) | Role 1 planning Role 2 planning Role 3 planning | Role 1 shooting Role 2 shooting Role 3 shooting Graphics constructed | Role 1 editing Role 2 editing Role 3 editing Exporting (20/02/2023) | Role 1 3 pages Role 2 3 pages (12/02/2023) Role 3 3 pages |
Collaborative (35% IA) | Main Role planning Subsidiary Roles planning | Main Role shooting Subsidiary Roles shooting Graphics Constructed (15/02/2023) | Main role editing Subsidiary role editing Exporting (20/02/2023) | 2000 word report 25/02/2023) |
Started – ORANGE Not Started – RED Finished – GREEN |
All posts by Jack Humphries
Filters
comparative study checklist
script written
initial script rewritten from feedback
source list compiled
still images sourced
V/O recorded
film clips uploaded ready for edit
timeline assembled
initial video draft checked
video draft amended
final video on M drive
source list on M driv
Textual Analysis – Source Table
Source Number | Director/Author | Title | Date Published | Date Last Accessed (If Website) | URL (If Website) |
1) | Fernando Meirelles and Kátia Lund | City Of God | 2002 | N/A | N/A |
2) | James Monaco | How To Read A Film | 2009 Edition, Oxford University Press | N/A | N/A |
3) | Cavi Borges, Luciano Vidigal | City Of God: 10 Years Later | 2013, Netflix | N/A | N/A |
4) | Peter Bradshaw | City Of God Review | 2003, Guardian Newspaper | 26/09/22 | https://www.theguardian.com/culture/2003/jan/03/artsfeatures2 |
5) | Lois Tyson | Critical Theory Today | 2006, Routledge | N/A | N/A |
6) | Stephanie Muir | Studying City Of God | 2016, Liverpool Press | 26/09/2022 | https://www.jstor.org/stable/j.ctv13841wr |
7) | Youtube | Director Fernando Meirelles discusses the making of ‘City of God’ | 9th April 2010 | 11/10/2022 | https://www.youtube.com/watch?v=tG_NiQ16PZY |
8) | The Guardian | How we made City of God | 9th Jun 2014, Tne Guardian | 11/10/2022 | https://www.theguardian.com/film/2014/jun/09/how-we-made-city-of-god |
9) | 13th Jun 2022 | 11/10/2022 | https://www.slideshare.net/mattheworegan/city-of-god-booklet | ||
10) | Alba Zaluar | Perverse Integration: Drug Trafficking and Youth in the “Favelas” of Rio de Janeiro | Spring 2000 | 11/10/2022 | https://www.jstor.org/stable/24357769 |
11) | IMDb | City Of God (2002)-Awards-IMDb | 12/10/2022 | https://m.imdb.com/title/tt0317248/awards/?ref_=tt_awd | |
12) | 11/10/2022 | https://library.brown.edu/create/fivecenturiesofchange/chapters/chapter-9/favelas-in-rio-de-janeiro-past-and-present/ | |||
13) | Box Office Mojo | City of God – Box Office Mojo | 12/10/2022 | https://www.boxofficemojo.com/release/rl3695937025/ | |
14) | Nitrate | City Of God – Interview with Fernando Meirelles | 13/10/2022 | https://nitrateonline.com/2004/fcityofgod.html | |
15) | Luke Dowdney | Neither war nor peace: children and youth in organised armed violence | October 2003 | 13/10/2022 | https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6735246/ |
16) | Lancaster University | City of God Sociology paper | 2004 | 14/10/2022 | https://www.lancaster.ac.uk/fass/resources/sociology-online-papers/papers/diken-city-of-god.pdf |
17) | University of Pennsylvania Press | Gramsci and the Theory of Hegemony | Apr. – Jun., 1975 | 14/10/2022 | https://www.jstor.org/stable/2708933?read-now=1#page_scan_tab_contents |
18) | Roger Ebert | City Of God Review | Jan 24th 2003 | 16/10/2022 | https://www.rogerebert.com/reviews/city-of-god-2003 |
19) | Wikipedia | Hegemonic Masculinity | 17/10/2022 | https://en.wikipedia.org/wiki/Hegemonic_masculinity#Toxic_masculinity | |
20) | The Washington Post | Brazil’s Benevolent Drug Lords | September 19th 2002 | 17/10/2022 | https://www.washingtonpost.com/archive/politics/2002/09/19/brazils-benevolent-drug-lords/46de7df8-d1ac-4371-af65-396e8daa65f4/ |
21) | The Atlantic | The Movie Review: ‘City of God’ | June 22 2004 | 18/10/2022 | https://www.theatlantic.com/entertainment/archive/2004/06/the-movie-review-city-of-god/69527/ |
Textual Analysis
FILM CHOSEN – City Of God (Meirelles And Lund, 2002)
SCENE CHOSEN -When Rocket goes to buy drugs + Story Of The Apartment (00:34:53 – 00:38:54)
MICRO ELEMENTS – Mise-En-Scene and Cinematography
MACRO ELEMENTS – Representation and Ideology
CONTEXT – Historical and Political
First Response To The 3 films
Film | Personal Rating Out Of 10 | Memorable Scene |
Children Of Men (Cuaron, 2006) | 7/10 | Opening Scene With Explosion |
City Of God (Meirelles and Lund, 2002) | 9/10 | Benny’s Death Scene |
M (Lang, 1931) | 6/10 | Trial Scene At The End |
•Working Title: It’s Just A Game
•Role (s) Undertaken: Screenwriter (Jack) Editor (Tom) Sound (Ruby) Director/Cinematographer (Kai)
•Date/ Secretary: 30/06/2022 (Ruby)
•Phase : Pre-production
•Meeting Number: 1
•Present/Apologies: Screenwriter (Jack) Editor (Tom) Sound (Ruby) Director/Cinematographer (Kai)
•Agenda:
1) Decide On Cast
2) Script Development Check in
3) Location Check
•Outcomes:
1)
2)
3)
•SMART Targets for next meeting date:
By next meeting 1/07/2022:
Jack will decide on the ending
Finish Script By Next Week
Get permission to film at a house
favourite film director
Wes Anderson – Anderson is renowned for using symmetry in his films, which creates a sense of harmony and balance. While pleasant to watch, this kind of composition also contributes to the fanciful, beguiling appearance of his films.
Film Director Definition
A film director controls a film’s artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking.[1]
The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget.
SOURCE – WIKIPEDIA
collaborative Project
Please look at Tom’s blog
‘What If…’ and concepts
What If I Got Lost In France?
What If Two People Were Stuck In A Lift With A Vampire