Director/Author | Title | Date Published/Publisher | Date last accessed | URL | |
1 | Fritz Lang | M | 1931 – Nero – film | N/A | N/A |
2 | Gustavo Costanini | Leitmotif Revisited | Archived 21st April 2006 | 26/09/22 | https://web.archive.org/web/20060421054317/http://www.filmsound.org/gustavo/leitmotif-revisted.htm |
3 | Masterclass | How Leitmotifs Function in Music | Last Updated Nov 2 2021 | 30/09/22 | https://www.masterclass.com/articles/how-leitmotifs-function-in-music |
4 | Roger Ebert | M Movie Review (1931) | 3 August 1997 | https://www.rogerebert.com/reviews/great-movie-m-1931 | |
5 | Erik McClanahan | Fritz Lang’s ‘M’ is a great entertainment, but it’s also a genre mashup | 3rd April 2013 | 30/09/22 | https://web.archive.org/web/20140521031754/http://www.orartswatch.org/fritz-langs-m-is-a-great-entertainment-but-its-also-a-genre-mashup/ |
6 | Phil Powrie, Robynn Jeananne Stilwell | Changing Tunes: The Use of Pre-existing Music in Film | 2017 | 30/09/22 | https://books.google.je/books/about/Changing_Tunes.html?id=tvnw4_zXsl0C&redir_esc=y |
7 | Florian Zappe | In the Shadow of the “Indeterminate Speech-Act”: The Populist Politics of Rumor in Fritz Lang’s Early Sound Films | 15th April 2020 | 30/09/22 | https://journals.openedition.org/ejas/16481 |
8 | rossini.2 | The Sound of Silence in Fritz Lang’s M | September 20, 2016 | 03/10/2022 | https://u.osu.edu/english6778autumn2016/2016/09/20/the-sound-of-silence-in-fritz-langs-m/ |
9 | ECG Productions | Silence And Why It’s Important In Film | Updated: July 8, 2021 | 03/10/2022 | https://www.ecgprod.com/silence-and-why-its-important-in-film/ |
10 | Erich G. Anderer | Film Review: M | N/A | 05/10/22 | https://www.thecityreview.com/m.html |
Director/Author | Title | Date Published/Publisher | Date last accessed | URL | |
11 | Timothy J. Edwards | The Man In Black: A Sequence Analysis from Fritz Lang’s M (1931) | 2012 | 05/20/22 | https://ojs.lib.uwo.ca/index.php/kino/article/download/6263/5025/#:~:text=Fritz%20Lang’s%20first%20sound%20film,poverty%2C%20but%20also%20pervasive%20criminality. |
12 | Kristen Hunt | How Fritz Lang’s Flight from Nazi Germany Shaped Hollywood | May 21, 2020 | https://daily.jstor.org/how-fritz-langs-flight-from-nazi-germany-shaped-hollywood/ | |
13 | N/A | Fritz Lang’s M And The Use Of Sound | APRIL 6, 2016 | 06/10/22 | https://www.filminquiry.com/fritz-langs-m-and-the-use-of-sound/ |
14 | Varun Chaubey | A Sound Analysis of Fritz Lang’s M | Jul 30, 2019 | 06/10/22 | https://medium.com/the-film-odyssey/a-sound-analysis-of-fritz-langs-m-98566f8202ba |
15 | N/A | Fritz Lang’s M – editing sound as visuals | N/A | 06/10/22 | http://filmsound.org/articles/langsm.htm |
16 | Wikipedia | Peter Kürten | 6/10/22 | https://en.wikipedia.org/wiki/Peter_K%C3%BCrten | |
17 | BBC | The teenage soldiers of World War One | 11/11/2014 | 10/10/22 | https://www.bbc.co.uk/news/magazine-29934965 |
18 | Robert Longley | The Lost Generation and the Writers Who Described Their World | March 02, 2022 | 10/10/22 | https://www.thoughtco.com/the-lost-generation-4159302 |
19 | Wikipedia | Youngest British soldier in World War I | 15 June 2022 | 10/10/2022 | https://en.wikipedia.org/wiki/Youngest_British_soldier_in_World_War_I |
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recommended citations:
Edwards, Timothy J. (2012) “The Man In Black: A Sequence Analysis from Fritz Lang’s M (1931),” Kino: The Western Undergraduate Journal of Film Studies: Vol. 3 : Iss. 1 , Article 4.