Focus: (ideas)
Femme fatale – feminist theory?
Film noir theory?
Post modernism in film – manipulation of narrative/genre?
Marxism theory in film?
Editing theory – experimental film?
Film movement: (ideas)
South korean new wave?
Soviet constructivism?
No wave cinema?
Classic Hollywood/New Hollywood?
Soviet constructivism?
Films
- Classic Hollywood/film noir : “Touch of Evil – 1958”
- Classic Hollywood/film noir: “The Asphalt jungle – 1950”
- Contemporary film noir: “Nightcrawler – 2014”
- Contemporary film noir: “Sin city – 2005”
- Femme fatale: “The Lady from Shanghai – 1947”
- Femme fatale: “The Woman in the Window – 1944”
- Contemporary Femme fatale: “The Batman – 2022”
- Contemportary Femme fatale: “Gone girl – 2014” / “Atomic Blonde”
- Experimental film: “Stan Brakage – Dog star man, 1964”
- Experimental film: “Maya Derren – Meshes of the Afternoon, 1943”
- Contemporary experimental film: “No data plan – 2019”
- Contemporary experimental film: “Let Each One Go Where He May – 2009”
Questions (“Touch of Evil” & “Sin City” – Film Noir)
- How classic film Noir was modernised?
- Differences in classic and contemporary film noir?
- How classic film noir has been adapted for a modern audience?