‘Wesley Wales Anderson (born May 1, 1969) is an American filmmaker. His films are known for their eccentricity and distinctive visual and narrative styles. Cited by some critics as a modern-day example of the work of an auteur, three of Anderson’s films – The Royal Tenenbaums, Moonrise Kingdom, and The Grand Budapest Hotel– appeared in BBC Culture’s 2016 poll of the greatest films since 2000.^[2]‘

(source – wikipedia)

‘There’s no story if there isn’t some conflict. The memorable things are usually not how pulled together everybody is. I think everybody feels lonely and trapped sometimes. I would think it’s more or less the norm.‘

(source – inspiringquotes.us)

‘The tension between mood and image in an Anderson film is a kind of treatise on outsider-ism. His perfectly arranged rooms and accoutrements always counter some sort of internal chaos. Suicide, or at the very least a resignedness to death, emerges as a major theme in nearly all of his films, including The French Dispatch.’

(source – vanityfair.com)

EXAMPLES: