Comparative Study -References

TitleFormHarvard ReferenceLast Assessed
notes on film noirarticleAuthor(s): Paul Schrader Source: Film Comment, Vol. 8, No. 1 (SPRING 1972), pp. 8-13 Published by: Film Society of Lincoln Center Stable URL: http://www.jstor.org/stable/4375288519/5/22
The Philosophy of Film NoirarticleConard, M. T. (Ed.). (2006). The Philosophy of Film Noir. University Press of Kentucky. http://www.jstor.org/stable/j.ctt2jchn423/5/22

Encyclopedia of Film Noir
bookMayer, Geoff.
Encyclopedia of fi lm noir / by Geoff Mayer and Brian McDonnell.
p. cm.
https://books.google.je/books/about/Encyclopedia_of_Film_Noir.html?id=RsBHnZoyO4kC&source=kp_book_description&redir_esc=y
23/5/22

The Philosophy of Neo-Noir (The Philosophy of Popular Culture)
bookConard, Mark T., editor. The Philosophy of Neo-Noir. University Press of Kentucky, 2007. JSTOR, http://www.jstor.org/stable/j.ctt2jcts3. Accessed 23 May 2022.23/5/22
Film Noir and the Cinema of ParanoiabookWheeler Winston Dixon
https://doi.org/10.1515/9781474467766
23/5/22
American Film Noir: The History of an IdeaJournalNaremore, James. “American Film Noir: The History of an Idea.” Film Quarterly, vol. 49, no. 2, 1995, pp. 12–28. JSTOR, https://doi.org/10.2307/1213310. Accessed 23 May 2022.23/5/22
Projecting Trauma: The Femme Fatale in Weimar and Hollywood Film Noir.ExtractHales, Barbara. “Projecting Trauma: The Femme Fatale in Weimar and Hollywood Film Noir.” Women in German Yearbook, vol. 23, 2007, pp. 224–43. JSTOR, http://www.jstor.org/stable/20688286. Accessed 23 May 2022.23/5/22
Agency and Fate in Orson Welles’s The Lady from ShanghaiJournalPippin, Robert B.
Critical Inquiry
Vol. 37, No. 2 (Winter 2011), pp. 214-244 (31 pages)
Published By: The University of Chicago Press
https://www.jstor.org/stable/10.1086/657291
23/5/22
Film Noir: From Berlin to Sin CityJournalAllison, Deborah. “Film Noir: From Berlin to Sin City.” Film Quarterly, vol. 60, no. 2, 2006, pp. 80–81. JSTOR, https://doi.org/10.1525/fq.2006.60.2.79.3. Accessed 23 May 2022.23/5/22
Crime, Guilt, and Subjectivity in “Film Noir”JournalFluck, Winfried. “Crime, Guilt, and Subjectivity in ‘Film Noir.’” Amerikastudien / American Studies, vol. 46, no. 3, 2001, pp. 379–408. JSTOR, http://www.jstor.org/stable/41157665. Accessed 23 May 2022.23/5/22
Anxiety and hope in the aftermath of ww2Articlehttp://www.vam.ac.uk/content/articles/a/anxiety-and-hope-in-the-aftermath-of-world-war-ii/23/5/22

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