Introduction:

P1: 5 methods of montage

was Nolan influenced by Eisenstein, quote Nolan

P2: continuity vs. discontinuity

P3.

PEEL paragraphs

Title	Form	Harvard Reference	Last Accessed
	Website	https://www.soundstripe.com/blogs/what-is-soviet-montage-theory-and-how-to-use-it
	Website	https://nofilmschool.com/what-is-continuity-editing#:~:text=Discontinuity%20editing,relative%20to%20a%20traditional%20narrative.
	Blog	http://www.classicartfilms.com/strike-1925
	Website	https://nofilmschool.com/sergei-eisenstein-soviet-montage-theory
	Website	https://nofilmschool.com/4-elements-christopher-nolan-uses-nail-montage
	Book	https://monoskop.org/images/6/68/Eisenstein_Sergei_The_Film_Sense_1957.pdf
	Magazine	https://documentcloud.adobe.com/spodintegration/index.html?r=1&locale=en-us
	website	https://en.wikipedia.org/wiki/Hyperreality#:~:text=Hyperreality%20is%20the%20inability%20of,especially%20in%20technologically%20advanced%20societies.
	Website	https://www.goodreads.com/author/quotes/1264.Jean_Baudrillard?page=4
	website	brainyquote.com/quotes/christopher_nolan_480695

AutoStraddle-Taylor Hatmaker-Critic.

Jordan Peele’s 2017 film Get Out and Bong Joon-Ho’s 2019 film Parasite are prime examples of the subgenre social thrillers. These two films have moulded the subgenre due to their different cultural approaches. Parasite follows the Kim family who are struggling through poverty and find a way to all work in the same household for a wealthy South-Korean family, the film shows the power that money has on Korean society and the lengths the poor are willing to go to get it. Peele’s Get Out on the other hand follows Chris, an African American man, who goes with his White girlfriend to visit her parents for the weekend. After arriving Chris slowly realises that his girlfriend’s parents are abducting African Americans and brainwashing them. The film focuses on racial alienation and shows the racially motivated anxiety Black people are faced with. Peele’s film was one of the first films to be named a sociological thriller (social thriller) and brought mass attention to the subgenre. I choose these two films as they both present large societal issues for each of their cultures for example, poverty in South Korea and racism in North America.

HOW ARE THE SOCIAL UNDERCLASS REPRESENTED IN DIFFERENT CULTURES USING THE FILMS LA HAINE KASSOVITZ (1995) AND SLUMDOG MILLIONAIRE DANNY BOYLE (2008)

References

Title	Form	Harvard Reference	Last Accessed
Media Theory for A level Chapter 6 – representation	book
the explanation of crime	book
file:///H:/Downloads/RFS_445_0029.pdf	website
Understanding Film_ Marxist Perspectives – Wayne, Mike	book
https://journals.sagepub.com/doi/abs/10.1177/0032329208314802	website
https://books.google.je/books?hl=en&lr=&id=8dNWCgAAQBAJ&oi=fnd&pg=PA7&dq=police+brutality+and+marxism+in+france&ots=VKP0Pb5wu2&sig=KfE3G23ZoXrnJ8dZ1200hkHMwmw&redir_esc=y#v=onepage&q&f=false	book
https://www.jstor.org/stable/4382720	book
a level English literature critical anthology	anthology
The_Poverty_of_Political_Marxism_FINAL_EDITED_To_Post-with-cover-page-v2.pdf	book
https://www.sciencedirect.com/science/article/abs/pii/S0264275110001563	website