French New Wave: Auteurs

-Auteur theory was a continuation of André Bazin and Alexandre Astruc cinematic theories by American film critic, Andrew Sarris

-Auteur theory was largely based off of Astruc’s concept of ‘caméra-stylo’ or camera-pen which described how the director who oversaw all of the audio and visuals of the film should be considered the ‘authour’

-Supporters of the auteur theory thought that successful films would have the unique mark of the director

Auteurs cited by Cahiers du cinéma:

Jean Renoir

Grand Illusion | film by Renoir [1937] | Britannica
La Grande Illusion (1937)

Roberto Rossellini

Paisan - Rotten Tomatoes
Paisan (1946)

Alfred Hitchcock

Psycho at 60: the enduring power of Hitchcock's shocking game-changer |  Psycho | The Guardian
Pyscho (1960)

VGIK [1919-Present]

The Gerasimov Institute of cinematography [aka VGIK] is a film school in Moscow that was founded in 1919 and is currently the oldest film school in the world. During the period of the Soviet Union, it was required to attend VGIK in order to direct films.

Cahiers Du Cinema Auteur Theory (1951- Present)

Summarise what Astruc meant by the term “Auteur” and give some examples of the films cited by the movement as being created by Auteur directors.

Alexandre Astruc was a French film scholar, who played a major role in the French New Wave movement. With the notable addition of André Bazin, whose work in the Cahiers du cinéma (1951) influenced a generation of film makers, directors, critics, and scholars. Astruc recognised film as a form of “audio visual” language (caméra-stylo), a direct conversation with the Auteur and the audience.

  • The Auteur (director) manages all audio and visual elements of motion picture
  • Director is recognised as an author, and their film is their work of literature
  • The visual elements of the picture : placement, lighting, Mise En Scene, etc.

RUSSIAN CONSTRUCTIVISM

Try to find examples from film from at least 3 of the Methods of Montage

Rhythmic montage – The Breakfast club, when they are all dancing in the library.

The Breakfast Club" (1985) | 20 Best Movie Dance Scenes | Purple Clover

Tonal editing method – Whiplash, when Neiman is training. We see the pain he is going through by repetition of the image of his blisters and bleeding hands.

How Whiplash's writer-director, Damien Chazelle, powered through the film's  toughest scene: its opening.

The intellectual method – Requiem for A Dream, The montage demonstrates drug taking’s disorientating effect.

Open Your Eyes Wider: Overexposure in Contemporary American Film and TV  Series

rUSSIAN CONSTRUCTIVISM

Identify at least one another film which appear to have been influenced by the visual style of classic Soviet Constructivist Cinema. Identify at least one another film which appear to have been influenced by the visual style of classic Soviet Constructivist Cinema

The French Connection at 50: one of the greatest New York movies ever |  Thrillers | The Guardian
The French Connection, ( Willaim Friedken, 1971)

The use of metric montages used in the film was inspired from Russian constructivism.

The Technical Differences

FRENCH NEW WAVECLASSIC HOLLYWOOD
Discontinuity editingContinuity editing
Focus on emotionFocus on plot
Absurd dialoguePurposeful dialogue
No establishing shotEstablishing shot
No master shotMaster shot
‘Crossing the line’‘Shot/Reverse shot’
Aesthetic close-upsPurposeful close-ups
Outtakes usedBest takes used
Jump cutsInsert shots
Handheld cameraDollys/Tracks/Tripods
Real locationsStudio locations
Long TakesShort shots
Black and whiteTechnicolour
Actors break the 4th wallActors never break the 4th wall

left bank vs right bank

The left bank groups approach to filmmaking shared progressive political learnings and documentarian pasts, they saw cinema like any other art such as literature and plastic arts. Left bank directors include, Varda, Resnais, Marker, Colpi and Demy.

The right bank group was the more popular and financially successful group of directors. This bank is in favour of experimentation and realism. Some directors include Godard, Truffaut, Rohmer, Chabrol and Rivette.

summarise what Astruc meant by the term “autuer”

Astrucs contribution to auteur theory was that the director who oversees all audio and visual elements of a film is considered to be more of an “author” that the writer of the screenplay. This is his concept of camera-stylo, the fact that a film is a personal expression of a directors/auteurs.