Cahiers Du Cinema March 23, 2022 Thomas Du Feu Leave a comment Alexandre Astruc Alexandre Astruc was a French film critic and film director. His contribution to the auteur theory centers on his idea that directors should wield their cameras like writers use their pens. — — — — — — — — — — Agnès Varda 1. La Pointe-Courte (Agnès Varda, 1955) 2. Le Bonheur (Agnès Varda, 1965) 3. One Hundred and One Nights (Agnès Varda, 1995) — — — — — — — — — — Jean-Luc Godard 1. Breathless (Jean-Luc Godard, 1960) 2. Contempt (Jean-Luc Godard, 1963) 3. Goodbye to Language (Jean-Luc Godard, 2014) — — — — — — — — — — François Truffaut 1. The 400 Blows (François Truffaut, 1959) 2. Day for Night (François Truffaut, 1973) 3. Finally, Sunday! (François Truffaut, 1983)