left bank vs right bank

The left bank groups approach to filmmaking shared progressive political learnings and documentarian pasts, they saw cinema like any other art such as literature and plastic arts. Left bank directors include, Varda, Resnais, Marker, Colpi and Demy.

The right bank group was the more popular and financially successful group of directors. This bank is in favour of experimentation and realism. Some directors include Godard, Truffaut, Rohmer, Chabrol and Rivette.

summarise what Astruc meant by the term “autuer”

Astrucs contribution to auteur theory was that the director who oversees all audio and visual elements of a film is considered to be more of an “author” that the writer of the screenplay. This is his concept of camera-stylo, the fact that a film is a personal expression of a directors/auteurs.

French New Wave

CLASSIC FRENCH NEW WAVE FILMS

1. Hiroshima Mon Amour (Alain Resnais, 1959) 2. Pierrot le Fou (Jean-Luc Godard, 1965) 3. The Cousins (Claude Chabrol, 1959)

— — — — — — — — — —

INFLUENCE ON CONTEMPORARY CINEMA

1. Lost in Translation (Sofia Coppola, 2003) 2. When Harry Met Sally… (Rob Reiner, 1989) 3. True Romance (Tony Scott, 1993)

Cahiers Du Cinema

Alexandre Astruc obituary | Movies | The Guardian
Alexandre Astruc

Alexandre Astruc was a French film critic and film director. His contribution to the auteur theory centers on his idea that directors should wield their cameras like writers use their pens.

— — — — — — — — — —

Agnès Varda
1. La Pointe-Courte (Agnès Varda, 1955) 2. Le Bonheur (Agnès Varda, 1965) 3. One Hundred and One Nights (Agnès Varda, 1995)

— — — — — — — — — —

Jean-Luc Godard
1. Breathless (Jean-Luc Godard, 1960) 2. Contempt (Jean-Luc Godard, 1963) 3. Goodbye to Language (Jean-Luc Godard, 2014)

— — — — — — — — — —

François Truffaut
1. The 400 Blows (François Truffaut, 1959) 2. Day for Night (François Truffaut, 1973) 3. Finally, Sunday! (François Truffaut, 1983)

Summarise what Astruc meant by the term “Auteur” and give some examples of the films cited by the movement as being created by Auteur directors. Remember to illustrate your post.

An auteur is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded but personal that the director is likened to the “author” of the film, which thus manifests the director’s unique style or thematic focus.

Touch of Evil review – brilliant noir drama restored to Welles's vision | Touch  of Evil | The Guardian
Touch of Evil, (Orson Welles, 1958)
Vertigo and Lust | Zachary Miller
Vertigo, (Alfred Hitchcock, 1958)
The Searchers (1956) - Classic Cinemas
The Searchers, (John Ford, 1956)

Auteur

Auteur theory theory of filmmaking in which the director is viewed as the major creative force in a motion picture. Essentially it is the idea that the director has complete control and the film is consider as a piece of art.

Examples of Auteurs of the time-

Orson wells– Citizen kane, Touch of evil

Orson Welles – Movies, Bio and Lists on MUBI
citizen kane movie poster - Google Search | Citizen kane, Citizen kane movie,  Citizen kane movie poster

Alfred Hitchcock– Psycho, vertigo , Rear window

Alfred Hitchcock – Yousuf Karsh
Saul Bass's Designs Made America Fall in Love with Alfred Hitchcock - Artsy