| role 1 | | role 2 | | role 3 |
| role | editor | editor | director | director | cinematographer |
| genre | action sci fi | psychological thriller | romance drama | noir mystery | |
| film influence | inception (2010, Nolan) | fight club (1999, Fincher) | the virgin suicides (1999, Coppola) | citizen kane (1941, Welles) | once upon a time in hollywood (2019, Tarantino) |
| movement influences | | | | german expressionism | |
| practitioner influences | lee smith | James Haygood | Sofia Coppola | Orson Welles | Robert Richardson |
| key techinques | elliptical editing, crosscutting, parallel editing | montage, jump cuts | alter egos, poetic dialogue, colour pallettes, playlist/score good | deep focus cinematogrpahy, multiple pov, low angle | tungsten-balanced Kodak film(or mixed media), contrast, halo lighting, veriety of camera shots and movement |
| target audience | | | | | |
| production scale | | | | | |
| key themes/issues | dreams vs reality | consumerism, repression and rebellion, the unconscious mind and pain | growing up, suffering and isolation | power, vanity, corruption | film industry, Charles Mansons gang of hippies, creative non fiction |
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