name of shot | description | use |
extreme close up (ECU) | part of the face takes up the frame | gets inside the head of the character |
close up (CU) | the whole face takes up the frame | reveals a characters emotional state |
medium close up (MCU) | head and shoulders in the frame | shows a characters reaction |
low angle /high angle shot (LA/HA) | shot below(LA)/above(HA) eye line looking up | makes subject look powerful(LA)/vulnerable(HA) |
extreme long shot (XLS) | only scenery visible cant make out individuals | used as an establishing shot |
medium shot (MS) | one or two subjects in the frame usually from waist height sometimes OTS | master shot/two shot/shot-reverse-shot for conversations |
pan/tilt | camera on fixed position but moves along a vertical or horizontal plane | mimics a static character looking around a scene |
track( dolly steadicam or handheld) | the camera follows a subject | follows subject through scene, immerses audience |
Daily Archives: November 6, 2021
Filters
match cutting
match on action-where the editor cuts from one shot to another view that matches the first shot’s action
graphic match- the first and the second shot share the same shapes, colours or composition
eyeline match-to indicate to the audience what a character is seeing
whiplash
film | rating | memorable scene | film element focus |
whiplash | 9/10 | “not quite my tempo” | editing |