Shot types list

Name of shot (abbreviation)description of shot in relation to subjectuse in storytelling
extreme close upparts of the face e.g eyes taking up the framegets inside the head of the character
close up (cu)whole face takes up the framereveals characters emotional state
medium close uphead and shoulders in the frame
low angle shot(LA)/ high angle shot(HA)
extreme long shotonly scenery in view cannot make out individual peopleused as an establishing shot
medium shot (MS)one or two people in frame from Waist height. sometimes taken from over the shoulder from one character (OSS)often used as a master shot/ two shot/ shot-reverse for conversations
pan/tiltmimics a character looking round the scene
track (steady cam / handheld)camera follows a subject by moving along with them.

shot distances

extreme close up (XCU)

an extreme close up is a shot that is focused on capturing the subjects emotion and not the background, this is often focused on the characters eyes to show emotion.

Blair Witch was a revelation, but found footage owes its roots to classic  books | The Independent | The Independent
The Blair Witch Project (Daniel Myrick)

panoramic shot

this shot can be used in the begining of the film as an establishing shot to show where the film is set and the background it can also give an insight to.

How the 'Annihilation' Bear and Other Horrors Were Designed
annihilation (Alex Garland)

close up (CU)

a close up shot can be used to show the peoples emotions and the background to show the characters facial features while also displaying the background.

Cinehouse: PEDRO ALMODOVAR'S 'WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN.'  (1988) REVIEW BY SANDRA HARRIS.
Women On The Verge of a Nervous Breakdown (Pedro Almadovar)

cinematography techniques

one point perspective

One Vanishing Point - Shefalitayal
the shining (Stanely Kubrick)

symmetry

3 Different Ways You Can Use Central Framing in Your Films
moonrise kingdom (Wes Anderson)

deep focus

this includes fore ground and background simultaneously in sharp focus this shows the audience all of the detail in the scene

steadicam tracking shots

a tracking shot can be used for tracking and following the character, while keeping them inside the frame.

words to say remade this bc I love this scene periodedit perioddramaedit period drama mcavoyedit joewrightedit joe wright james mcavoy film extensive steadicam shots atonement 1k *a ** * GIF
atonement (Joe Wright)

Kubrick shot types

One Point Perspective –  A way of crafting cinematic shots with near-perfect symmetry. The composition of these shots draws the viewer’s eye to a specific focal point within the frame, absorbing them into the dimension of the shot and manipulating the experience by telling them exactly where to look.

https://the-take.com/watch/filmmakers-handbook-what-is-one-point-perspective

2001 A space odyssey - Neil Oseman
2001: A Space Odyssey (Kubrick, 1968)

Symmetry – Refers to material being organized in such a way that it conveys a sense of unity through the repetition of one or more elements. In film theory it is appropriate to speak of three kinds of symmetry in the two-dimensional picture.

https://pov.imv.au.dk/Issue_15/section_5/artc1A.html

Movie Directors And Their Filmmaking Trademark Techniques
Moonrise Kingdom (Anderson, 2012)

Steadicam Tracking Shot – With its ability to move through scenes and follow actors smoothly, placing the audience in the center of the on-screen action

https://www.masterclass.com/articles/what-exactly-is-a-steadicam-understanding-the-groundbreaking-camera-stabilizer-that-changed-hollywood#quiz-0

How The Shining paved the way for the Return of the Jedi
The Shining (Kubrick, 1980)

Cinematography Techniques

One Point Perspective: The camera is centred and draws the viewers attention towards the centre of the scene which creates an unsettling/eery atmosphere

A Clockwork Orange, Kubrick [1971]

Symmetry: Both sides of the screen are identical to each other and balance each other out which makes the viewer feel unease due to unnaturally perfect the scene looks

Moonrise Kingdom, 2012 [Wes Anderson]

Deep Focus: Allows everything on screen to be in focus at the same time

2001:A Space Odyssey, 1968 [Kubrick]

Steadicam Tracking Shots: Allows the shot to be steady whilst following the character/object around the scene

See the source image
BTS of The Shining, 1980 [Kubrick]