One Point Perspective – A way of crafting cinematic shots with near-perfect symmetry. The composition of these shots draws the viewer’s eye to a specific focal point within the frame, absorbing them into the dimension of the shot and manipulating the experience by telling them exactly where to look.
https://the-take.com/watch/filmmakers-handbook-what-is-one-point-perspective

Symmetry – Refers to material being organized in such a way that it conveys a sense of unity through the repetition of one or more elements. In film theory it is appropriate to speak of three kinds of symmetry in the two-dimensional picture.
https://pov.imv.au.dk/Issue_15/section_5/artc1A.html

Steadicam Tracking Shot – With its ability to move through scenes and follow actors smoothly, placing the audience in the center of the on-screen action