In Amélie (Jean Pierre-Jeunet, 2001), Audrey Tatou’s protagonist consistently narrates to the audience; breaking the suspension of disbelief to correlate with the light-hearted and comedic tone.

Martin Scorsese’s Shutter Island (2010) allows this low angle shot could be interpreted as an implication of power; giving a clear label to the characters who in this scene appear superior in knowledge and control of their surroundings.

A rare insight into the mind of Halloween’s (1978) main antagonist, Michael Myers is given to the audience through this effective use of introspective focus.