Film: City of God
Chosen Scene: 1:10:51 to 1:15:51 Benny dies
Film element focus: Narrative, editing, cinematography, genre
Film: City of God
Chosen Scene: 1:10:51 to 1:15:51 Benny dies
Film element focus: Narrative, editing, cinematography, genre
Film | Preference /10 | Memorable Scene | Film Element Focus |
Rome Open City (Rosselini, 1945) | 2/10 | idk i was asleep | |
Pan’s Labyrinth (Del Toro, 2006) | 7/10 | Mercedes escaping | Mise en scene, Motif, Narrative |
City of God (Fernando Meirelles, Kátia Lund, 2002) | 10/10 | Apartment over time scene | Editing, Cinematography, Motif, Critical Reception |
Unit | Pre-production | Production | Post Production | Pages (evidence) |
Comparative Study | – Copy of films – Research Completed – Script Written – Script Marked and complete | – Audio Commentary Recorded 15/06 – Clips needed recorded on phone and uploaded 18/06 – Citations made and formatted 19/06 | – Edit together 20-23/06 – Export 24/06 | source list |
How are Eisenstein’s methods of montage used as a storytelling device to create dramatic tension in Battleship Potemkin (1925) and Parasite (2019)?
– Narrative theory
– Structural/editing theory
Strike by Eisenstein and another film i havent chosen yet but i will lol
Film making approach
Dogme 95 is a film making movement created in 1995 surrounding a set of rules created by Danish producers Lars von Trier and Thomas Vinterberg.
These 2 producers created a set of film making rules for the movement called the Vows of Chastity:
» Shooting must be done on location. Props and sets must not be brought in
» The sound must never be
produced apart from the images or vice versa
» The camera must be hand-held
» The film must be in colour and special lighting is not permitted
» Optical work and filters are forbidden
» The film must not contain superficial action (eg murder)
» Temporal and geographical alienation are forbidden (That is to say that the film takes place here and now)
» Genre movies are not acceptable
» The film format must be Academy 35 mm (squarer aspect ratio)
» The director must not be credited
Social/historical/political Context
Social: It was first presented to a cinema conference in Paris to celebrate cinema and its uncertain future. It was made to give artists the power instead of the studio.
Historical: As it was recent (1995) it was aiming to return to traditional film making in light of all the new technology being commonplace for film.
Political: Not particularly politically driven/influenced
Directors associated with the movement
Lars von Trier
Thomas Vinterberg
Søren Kragh-Jacobsen
Kristian Levring
Films associated with the movement
Festen (1998)
Festen (Celebration) is a drama that’s storyline is based around abuse. The ‘home movie’ aesthetic that dogme movies bring helps create a disturbing and real atmosphere to the plot.
Link: https://youtu.be/vKe_AxTFGXc
will have more films it just didnt save
Sources:
https://www.youtube.com/watch?v=vKe_AxTFGXc
https://youtu.be/lC3xHVvcezY
https://youtu.be/wHMvR3CYDdk
http://www.dogme95.dk/about/
https://en.wikipedia.org/wiki/Dogme_95
Most are based on existing novels of the mystery genre – the films are influenced alot from that existing genre.
Sherlock Holmes (1916): First film of the genre, it was based off of the novel so the genre was already set based off of the literary genre.
Citizen Kane (1941): Solidifies the mystery genre, including interviews, collection of past events and the final reveal.
Clue (1986)
Knives Out (2019):
Miyazaki is an auteur of animation, creating immersive and whimsical worlds, aiming to enchant his audience. His mise en scene is one of the most iconic parts of his work, with the worlds he creates being recognizable immediately. They feature muted colours and tones, and create a sense of wonder to engage the audience into his story. As he is an animator, the art style of his films should also be considered. h
Some common themes his films have are:
– Strong female protagonists
– Involves humanities relationship with nature
– The importance of art and creativity
– The value of just living