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THE SHINING

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PREFERENCE – 4/10

MEMORABLE SCENE – Where Danny sees the twins and they start talking to him. the camera cutting between a scene of the twins talking to Danny and the twins lying on a blood stained floor dead.

FILM ELEMENT FOCUS – Cinematography

CAMERA MOVEMENT – THE AVENGERS

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ZOOM OUT/ZOOM IN – This helps the audience acknowledge and understand how important Mr. Stark saying “I am Iron Man” is.

PAN LEFT/PAN RIGHT – The camera is being filmed and panned around all of the avengers, connoting the important of the big group[ to the audience.

TRACK OUT/TRACK IN – In this scene we see half of the avengers running towards something all spread out. This helps the audience see how fast the group are actually running, helping the audience understand how big and serious the current situation the avengers are in.


SHOT ANGLES – STRANGER THINGS

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EYE LEVEL SHOT – This shows Eleven’s concentration when she is trying to use her telekinetic powers to defeat a monster. This gives the audience an on edge feeling as they don’t know if she’ll actually be able to defeat the monster or not.
LOW SHOT – The main stranger things squad are looking down at the sludge thing that just came out of Eleven’s ankle.
HIGH SHOT – Nancy is looking up at Steve whilst she is drunk and is trying to say something to him.

SHOT SIZES – GHOST IN THE SHELL

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LONG SHOT – Gives the audience the sense that you’re falling with her, also lets audience know how big of a drop the fall is.
MID CLOSE UP – Gives audience a tense feeling, building up to who she’s going to shoot.
BIG CLOSE UP – Lets the audience see her face and let them know how she really feels.

CINEMATOGRAPHY

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CINEMATOGRAPHY – The art of photography and camerawork in film-making.

CINEMATOGRAPHER – The chief over the camera and light crews working on a film, television production or other live action piece and is responsible for making artistic and technical decisions related to the image.

HOW IS A CINEMATOGRAPHER’S ROLE DIFFERENT TO THAT OF A DIRECTOR? The cinematographer (aka the director of photography) is the head of the camera and lighting crew. He works side by side with camera operators, camera assistants, gaffers, and the light and grip crew. The director’s main task is to interpret the script and transform it into a movie.