Exploring Film Production Roles

Please note that you will have a new class member every Thursday period 1. To that effect we will look to get to grips with some of the following. Can we also make sure that we all CATEGORISE ALL POSTS APPROPRIATELY! This will be really important for assessing, tracking and monitoring your work (thank you)

TASK: Use the first lesson back (Thursday 25th April) to make sure you have a post that clearly shows your three film roles and that you have CATEGORISED any subsequent posts that show evidence of your research (ie the portfolio) and your production (film reel)

In terms of planning and preparation, the pre-production phase of process contains a number of elements:

  • 1) Start with sourcing actors – knowing who is going to be in it will give you a sense of how to develop character and creative a narrative around this casting decision. You should then write a screenplay for the scene when these decisions have been made.
  • 2) Then think about location – you could recce a few different locations as part of mise-en-scene. Ensure that these are appropriate for your genre and that you obtain permission for filming before you start. Take photos of locations and do a basic risk assessment before filming.
  • 3) Next, try to find sound which works with your project – remember that you need to concentrate on finding non-proprietary (copyright free or commons music and effects) you should also think about recording your own effects as Foley sounds/creating your own music if this is the skill that you are showcasing.
  • 4) Finally, you will need to construct a shooting script and/or storyboard for your sequence which will act as a guide to help you visualise your final piece in terms of cinematography and editing as well as ordering your process.

PRE PRODUCTION EVIDENCE DOCUMENTS:

  1. CASTING DECISION – HEAD SHOTS OF ACTORS/CHARACTER PROFILE
  2. SCREENPLAY FOR SCENE
  3. LOCATION REPORT – FEATURING IMAGES & RISK ASSESSMENT WITH PERMISSIONS APPENDIX
  4. SOUND FILES – DESCRIPTION/LOCATION/JUSTIFICATION
  5. SHOOTING SCRIPT/STORYBOARD

Thriller film pre-production plan (complete)

For short thriller film – editing.

Cast: Only 2 required.

First actor: Anton Quenault. (left)

Second Actor: Krystian Skarbek (right)

Location Recce:

Details: I will use My dining room and garden as setting for the film. By using a house i hope to cause the audience to feel as if they are at home – this gives a false sense of security and sets them up for a bigger shock later on.

Permissions: None needed

Points of Interest: I am interested in filming in my house because it is perfect mise-en-scene. I have to set very little up.

Safety Issues: None.

Electric supply: When inside i have constant access to electricity however when outside i do not, thankfully my setup does not require electricity. Batteries can be used in necessary tools.

Sunlight: Plenty of Light falls into the room i will be filming in, however i am filming at dusk so i am using artificial lights inside.

Windows: there is one large window in the room, plenty of light can be seen through it .

Noise: Unfortunately my house is located right next to a busy main road, however i will be recording my audio separately and adding it in post. I will record the audio in a sound studio setup at school where there is much less noise.

Screenplay:

Fade In:

INT. DINING ROOM – Night

On a cold winters night ANTON,  sits at the table smiling at something on his phone. Its a series of pictures of him and his friends, they seem to be having a great time.

EXT. NEXT TO THE ROAD – NIGHT

KRYSTIAN crouches against a stone wall, right next to the gate of the garden he must infiltrate. He looks at his watch then crouches in front of the gate and peers over. After a short while he quickly hops over the gate and into the garden.Then he gets up confidently and starts walking towards the window, round the tree, cracking knuckles and doing a few stretches as he goes.

INT. DINING ROOM – Night

KRYSTIAN’S jump could be heard faintly which perks ANTON’S attention slightly. He looks up from his phone with a slightly confused look on his face. He gets up and looks out the window from behind him, it’s difficult to see outside. All he can see is a few metres in front of him. All the while the steps are dramatically getting louder. Finally ANTON recoils from window as he sees KRYSTIAN approaching. The scene ends in blank slate.

Shooting script

Shot number Camera/ action Location Shot length audio
1 MLS Anton swiping through his phone Dining room 3 seconds Tapping on phone, fan hum Atmos music
2 CU Krystian crouching Next to road 3 seconds Car driving past Atmos music
3 MS Anton turns phone off and puts it down Dining room 2 seconds Phone noises, fan hum Atmos music
4 Krystian checks his watch Next to road 2 seconds Car driving past, watch ticking Atmos music
5 3 seconds Anton checks message Dining room 3 seconds Phone noises, ticking Atmos music
6 Establishing shot just of the area where Krystian was Next to road 2 seconds Atmos music ticking
7 MS Anton puts head in hands Dining Room 2 seconds Atmos music Anton sighing
8 MLS Krystian jumping the gate from behind Next to the road <1 second Atmos music, Krystian’s footsteps ticking
9 MLS Krystian lands int the garden Garden <1 second Atmos music Krystian landing on gravel ticking
10 MS Anton lifts his head up and starts to get up Dining room 2 seconds Atmos music Ticking, heartbeat.
11 Krystian walks towards the house Garden 2 seconds Atmos music ticking, heartbeat, footsteps, torch clicking on
12-21 Quick alternating MS between Anton walking and looking through the window from inside and Following Krystian approaching from outside Dining room and garden Every shot <1 second Atmos music, ticking, heartbeat, footsteps.
22 MLS Anton recoils from the window in terror Dining room <1 second Gasp from Anton, Atmos music cuts out, ticking stops, no footsteps.
23 Blank slate N/A 1 second Fast heartbeat

Vogler – The Hero’s Journey

Chris Vogler, a story analyst for Disney, Warner Bros, 20th century fox an more explored the construction of narrative from a character driven perspective. His Theory is called the hero’s journey.

The Hero’s Journey consists of 12 parts

I will list the parts with reference to my chosen film: Star Wars: A New Hope (1977, George Lucas)

1: Ordinary World: We start off seeing Luke on his home planet, we are slowly introduced to him and his environment to help establish his place as the protagonist.

2. The call to adventure: A message from Princess Leia calls Luke to save her from the empire.

3. Refusal of the call: Less of a refusal, R2D2 runs away before Luke can get enough information about the situation.

4. Meeting the Mentor: When looking for R2D2 luke and the gang are ambushed and attacked, Ben Kenobi (Obi Wan Kenobi) ends up finding Luke and takes him to his home.

5. Crossing The Threshold: After seeing his home has been attacked, Luke agrees to be taught under Obi Wan Kenobi, and to go save Princess Leia from the empire.

6. Tests, Allies and Enemies: The hero – Luke, is constantly tested in fights to build his skill and confidence and help him get ready for the final challenge. Additionally he meets Han Solo and Chewbacca who agree to help him on his journey

7. The Approach: Not too much happens here, it is mostly just preparation for the main ordeal.

8. The Ordeal: Luke and the gang end up trapped in garbage chute / crusher, They nearly all die but manage to escape just in time.

9. The Reward: Luke and the gang are finally safe with the “reward”: Princess Leia. And start the journey back home.

10. The Road Back: although they have the reward, they try to go home but are tracked by tie fighters and must escape them aswell – usually a chase scene occurs.

11. The Resurrection: Luke, after recovering Leia, goes to destroy the death star, however Darth Vader is there to block Luke’s quest, in-fact it looks look Vader is about to kill Luke, however, just as it looks like the hero is or is about to die, they suddenly come back to life with full force and complete the quest, in this case, Han Solo helps Luke to fend off Darth Vader so Luke can Destroy the Death Star.

12. return with the elixir / tot he ordinary world: This is the final stage and it is very simple, in which the hero returns to their own world after completing their quest. However in some cases where sequels exist, the quest is not finished and Luke never really exits the extraordinary world, this is because there is still more of his quest, so in the next films Luke restarts the Hero’s journey in some form and it repeats.

The ending medal ceremony in Star Wars IV: A New Hope

Binary Oppositional Themes in Film

Levi-Straus, a French anthropologist in the 1900’s theorised that the majority of narratives contain binary opposite characters.

These may include:

Man Vs Woman e.g “His Girl Friday” (1940, Howard Hawks)

White Vs Black : “BlackkKlansman” (2018, Spike Lee)

Hero Vs Villain : Huge amount of films that link to this, I’ll choose “Batman” (1989, Tim Burton)

And more.

Comparative study

I will be comparing the films Alien (1979, by Ridley Scott) and Happy Death Day (2017, by Christopher Landon)

My question is: ‘How are elements of the feminist film theory represented in the horror genre?’

I chose these films because they both contain a strong example of a ‘final girl’ which is a trope found typically in Slasher films. This is an element of feminist film theory, created by theorist Carol Clover. The basis of the trope, is a female character who is typically the last survivor, and faces a successful showdown with the killer or entity. Although this is usually shown in slasher films, final girls can appear in most horror or sci-fi genres.

In my study, i will explore how the main aspects of feminist film theory are represented in horror through my two film choices. In particular, i will focus on the ‘final girl’ trope because it is a main aspect of the theory and shows a unique representation of women through horror, particularly over a time period.

Blade runner character types

The hero – Deckard. He wants to kill all of the replicants in order to protect Rachel

The villain – Roy Batty.He directly opposes Deckard’s goals

The dispatcher- Captain Bryant. He sets Deckard off on his quest to kill the replicants.

The Princess – Rachael. She is the object of Batty’s plats and she is the target of Deckard’s romantic affections.

Her father- Eldon Tyrell. He is Rachel’s creator


Hero’s journey

The lord of the rings, 2001 directed by Peter Jackson, is a good example of a film which follows the hero journey theorized by Vogler.

The ordinary world was when Frodo lived comfortably in the shire and visited Bilbo. He is introduced as a likable character of whom the audience can sympathize for and understand even early on in the film.

Gandalf then tells Frodo he must destroy the ring which is his call to adventure. This is a shakeup from the ordinary world, and the protagonist, Frodo, must face the beginnings of change

Next, Frodo is reluctant to leave the world he knows. He fears the unknown and initially refuses to accept the change

Frodo is introduced to the Fellowship of the ring by Gandalf which is his first meeting with his mentor. This is a significant relationship to show the wisdom and advice being given to Frodo which will help him develop as a character but mainly the hero of the story

The Fellowship then set out on their journey to Mount Doom. This shows them crossing the threshold, because they are leaving the ordinary world to face new threats and unfamiliarity

But in the form of enemies, they face Balrog who drags Gandalf into the pit with him. This climactic scene is one of the obstacles faced on the journey.

Frodo then sees the corruptive and dangerous power of the ring and decides to move forward alone with Sam. This is the approach where they prepare to face the danger awaiting them

Gollum then leads Frodo away from Sam to Shelob’s layer but he is saved by Sam. This is the ordeal where, near the middle of the story, enemies and fears are confronted before the final challenge

Frodo no longer wants to destroy the ring after being corrupted and consumed by it’s power. This is since he faces death by taking the power, but there is also the danger of losing it

Gollum bites off Frodo’s ring finger and jumps after it to his death. This is the road back because he is almost complete his journey but still faces danger and threats before he can finish

Frodo and Sam reunite with the Fellowship when Sauron is defeated towards the end. This is the resurrection since Frodo has been tested and the conflicts around are beginning to be resolved

Finally, Frodo leaves the Middle Earth to live in the Gray Heavens with the elves. This is not entirely the return with the elixir since Frodo’s departure is somewhat negative because he does not want to corrupt his friends with the ring so leaves only with Sam who wanted to keep his promise to Gandalf by protecting Frodo