French New Wave is a film movement which emerged in the 1950’s and 1960’s. It is a form of European art cinema, and is often referred to as one of the most influential movements in the history of cinema.
French new wave began due to a lack of studio funding and need for change by the directors, because of the low funding it forced directors such as Jean-Luc Godard to use more DIY techniques, for example, the car scenes weren’t on a sound stages but actually driving on a real road. It was the sense of effortlessness that gave French new wave its title, The chosen scenery was relatable to the audience as a lot of the films were shot in cities, the plots were realistic and more importantly believable. Also the characters In the films were cool, chilled and detached which turned them into icons for the audience, The characters were also considered fashion statements because of how they dressed and looked, we can see this in ‘Breathless” because Patricia had short hair and wore weightless striped shirts not to mention her ‘New York times’ shirt she wore when selling papers in the streets.
People argued that french cinema was similar to the literature, which expresses the same ideas that are shown in novels and paintings. The artists at that time used movies to voice their thoughts. Some of the leading film producers wanted to change it and this is the birth of the movement in the history of French cinema (French new wave). The movement wasn’t purely about cinema, it was about all art forms including art and music, cinema is an art form and it changed along side these other art forms.
“Cinema is not a craft it is an art” said Jean-Luc Godard
A few examples of french new wave films are:
Lola (Jacques Demy) released in 1961
Les Bonnes Femmes (Claude Chabrol) 1960
Shoot the piano player (François Truffaut) 1960
Editing and cinematography in breathless
Jean-Luc Godard used loads of jump cuts in a new and exciting way that provided the film with a lot of movement. “I remember very clearly — how I invented this famous way of cutting, that is now used in commercials: we took all the shots and systematically cut out whatever could be cut, while trying to maintain some rhythm.”
This photo shows how throughout the film Michel glanced over towards the camera almost breaking the fourth wall, But Godard played with the rules of traditional cinema to see what was possible, This glance gives the scene a more relaxed feel and allows the audience to empathise with the character more as though he were really speaking to us.
How French new wave influenced cinema
I often see similarities with French new wave when watching modern films but I see it mostly in the characters mannerisms and how they are presented to the audience. In 1962 James bonds ‘Dr. No’ was released and the character of James Bond is much like that of Michel because of his style and flare.
In 1981 Raiders of the lost ark (Steven Spielberg) was released and Indiana jones had the same sense of suave as Michel and James Bond.
We can also see just from this image how jones also glares into the camera just like Michel in ‘Breathless’.