Clips for Comparative

Comparision Point Two: the reality of The War of the Worlds vs the hyperreality of The World’s End.

The clip from The War of the Worlds is when the main character – Clayton Forrester – first meets the aliens. This scene has a very serious tone to it, and there is a strong sense of verisimilitude that helps the audience believe that what they are watching could be real. it has very traditional elements of science-fiction, including the obvious alien invasion, and the set reflects the idea of a disaster. The clip from The World’s End, is the point in the film when the main characters come into contact with the aliens. Compared to the point of first contact from The War of the Worlds, it is presented as much more comical, with Oliver’s repeated phrase “WTF”, and the hyperrealistic way that the scene is presented with the fight sequence.

The scene from The War of the Worlds is the main fight against the Martians. It is presented seriously, and the audience can sympathise with the characters as what is happening seems quite believable. The film also uses stock footage from the war in some scenes, which again adds a sense of verisimilitude, and makes the action seem more serious and dangerous. The scene from The World’s End is one of the main fights that the main characters have against the invading aliens. Again, it is presented in a much more comical way than in The War of the Worlds, and it is clearly very rehearsed. The over-exaggerated actions of all the characters reflects the postmodern style of the film, and gives it a sense of hyperreality.

The opening scene to The War of the Worlds takes a modernist approach to science-fiction, as it explains the Martians in a very scientific way, focusing on details of all the planets in the solar system (except Venus). This relates to the fact that The War of the Worlds comes in the classic stage of science-fiction’s genre cycle, when the conventions are iconic and easily recognised by audiences. In comparison, The World’s End is much more postmodern, as

Quotes/ references

Screenwriter Lobdell of HDD explains that he wanted to change the concept of the final girl by subverting the basic idea to create a cruel character whose acts are justifiable and a strong theme of character development to run throughout the film

‘Every slasher film opens with the mean girl getting killed and the good girl living till the end. And i thought, how can i make the mean girl and the good girl the same person?’

The character of Tree changes the idea of a final girl. Prior to the modern generation, final girls were typically the strong sole survivor who faces a usually successful final showdown with their antagonist

Background Sound Task

This task is mainly just experimenting with with Audition. I recorded several sound clips that lasted about 8-10 seconds each. They were all recorded in several locations, for example, a classroom, in a canteen and outdoors in some fields. Afterwards, I put the clips together in Audition, experimented with some effects and also layered some of the clips to give an affect of both happening at the same time.

Comparison points

How the female gaze may differ in both films due to the social context of what is happening e.g. Alien is filmed at a time where Mulvey had just conceived her idea so would be used as an early representation

‘Females are represented as the object of a male’s desire and fear whilst watching horror films through the use of the female gaze. Alien shows this idea through the extended 10 minute clip of Ripley walking around in her underwear which suggest that female characters only exist for male pleasure. Since the film was released during the early era of second wave feminism, the idea of female characters standing alone and representing strength was only recently introduced. Therefore, it is justifiable that Alien would still represent elements of the male gaze because the theory had not been implemented for long.

Whereas Happy Death Day neglects to show such scenes and keeps sexual focus at a minimum, to represent the development of strong female characters but also the removal of the male gaze. This is shown when Tree is an embodiment of a sarcastic, rude yet strong and emotionally developing character as we follow her journey rather than a sexual object for male desire to be projected on throughout the film.