Shot Distances

The Dark Knight

Long Shot: The most iconic shot in the Dark Knight is when Batman stares down when standing on a rubble. The audience will feel surprised as this is the first time they have seen Batman fail. As well this shot captures the fallen rubble what shows how Batman’s world has collapsed.

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Close Shot: Joker speaking to Harvey Dent after his face is burned. This close shot could be seen as how alike Dent is to the Joker but also is used to hide what Dent has become.

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Mid-Long Shot: Joker in prison where he is calm and relaxed. By showing most of his body and focusing on his posture what shows him not being anxious but collected foreshadowing what is to come in the next 2 scenes with him.

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Use of extra diegetic gaze

“the Good, the Bad and the Ugly” (1966, Sergio Leone) uses extra diegetic close-up shots very well. Generally, they are used to show the raw emotion that the actor is displaying. A close up on an angry face will make the audience feel their rage, a close up on a scared person will make them feel their anxiety. extra diegetic close-up shots are very good at making the audience feel empathetic towards the actors as the emotions are so powerful, it is as if the audience are feeling it themselves.

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cinematography and digesis activity one

Deadpool(2016 , directed by Tim Miller) is a great example of the Extra  digetic  gaze being used effectively because it is used for comedic impact and in that regard , the technique is incredibly effective and it helps to include us in the inner world of the character. Furthermore ,Deadpool is the only Character to break the fourth wall and this adds to the comedic effect of the film.

This scene from The Man from U.N.C.L.E(2015 , directed by Guy Ritchie)  uses digetic perspective to put emphasis on the main character Napoleon Solo – this conveys the fact that he is a pivotal character within the narrative as the focus is on him specifically and all of the other people in the frame are  out of focus and blurry and this lets the audience know that they are unimportant.

 

 

This Scene from The Good , The Bad and the Ugly(1966 , directed by Sergio Leone ) famously utilizes the intra digetic gaze – the two opponents are glaring at each other and they have a tense stand -off and the gaze helps to build up the tension within the scene  and it tells the audience that the two characters absolutely despise each other.

 

Example of hair and makeup

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my example of good use of hair and makeup comes from the 1982 film ‘The Thing’. At this time cgi was not a developed asset and was still in its very early stages, so the producers if this film opted for a more practical approach and where able to create a shocking believable transformation. The way gore was still able to be implemented in such a good way form its time allowed the film to be scarier and more shocking for the audiance.

Cinematography and Diegesis activity one

This famous shot from The Shining (1980, by Stanley Kubrick) is a  great example of a diegetic perspective, because it instantly connects the audience to ‘Johnny’ by demonstrating his wild and eccentric behavior. The shot also emphasizes the significance of the character by expressing his characteristics in such way. Since this is a closeup, it highlights the importance of emotion within the character by displaying it so erratically

This shot from Cloverfield (2008, By Matt Reeves) is a good example of intra-diegetic gaze because it intrigues the audience by putting us in the place of the character. This is an interesting concept because it is solidifying verisimilitude by immersing us in the world. The audience are part of the peripheral, since we are viewing the whole thing from the camera’s perspective. We feel like we are part of the world because the shot depicts us a the main character so we feel and believe that we are in the film

Some films only utilize aspects of breaking the fourth wall, and many only use the challenging technique only once or a few times. Deadpool (2016, by Tim Miller), is a great example, which uses this technique throughout the entire film. This is mainly for comedic purposes, and to engage with the audience. Most times, Deadpool is speaking to the audience, usually with jokes. This intrigues the audience by not only making us feel part of the film but developing a crucial relationship between the audience and Deadpool himself, which is significant in establishing him as a likable and humorous character. You would think that the technique could be overused because of the extent it is used in this film ,however; each joke or line is delivered with such comedic finesse that everything feels how it should and has a purpose. These jokes really help to solidify the significance of Deadpool in such a popular comedy/action genre

Spike Lee Question

Spike Lee the director of Blackkklansman. States that you can’t make a movie on a cultural issue if you are not part of the culture yourself.

In my opinion I think this depends on the movie your making. An example of what I mean come from the 2 movies he has criticised. Detroit and Django Unchained.

An example of the lack of experience with a cultural issue causing issues with a movie is Detroit. The focus on Detroit is the riot in Detroit. However, the overall problem with the movie is that it focusses of Detroit is showing how bad the riots were without much narrative of characterising surrounding it. This makes the message its trying to portray feel forced because of the lack of a connection the audience has to the character going through this situation.

However I think Django Unchained is an example of a movie that covers a cultural issue well by making the slavery and racism in the movie not the main focus. In making the movie focus on the character of Django and his narrative of getting back his wife shows the issues of racism and how it negatively affected Django a character the audience cares about. Showing them the importance of treating everyone with respect, without feeling forced.

Mise-En-Scene in Bladerunner

Mise-en-scene in Bladerunner 

The scene I believe represents a lot of mise-en-scene elements is the scene Towards the end of the film where Rick Deckard (Harrison Ford) is in the building and is trying to find and kill Roy Batty (Rutger Hauer) and Pris (Daryl Hannah).

In the scene there are lots of examples of mise-en-scene such as set design. As you can see in this part of the scene there are a lot of random and weird objects such as dolls and mannequins which fill the room and give an even stranger impression of Pris and Roys character. It also gives Pris a place to hide which is amusing to the viewer as she is hiding in plain sight and adds suspense because we don’t know when she will reveal herself but we know she is there and Rick doesn’t.

Another obvious feature in this scene is costume. Pris’ costume is representing that of a bride, she also has a skin-tight white suit on the help with her disguise as a mannequin. This costume gives her an inhumane personality.

Hair and Makeup: my favorite use of hair and makeup in this film is Pris’ because it makes her look crazy and deranged, the viewer sees this by her short frizzy hair and pale skin with splodges of colour and eye shadow.

When Rick shoots Pris she lets out a horrifying sound of screaming, This links to my next mise-en-scene feature: sound. The screaming sounds as though it is in the background and Pris isn’t making the noises which give the viewer a sense of her soul leaving her body and it alienates her even more.Another example of sound in this scene is where Roy is howling whilst running around the building, this feature is used because Roy sounds like a werewolf and werewolves are partially human just like the replicants, the howling allows the viewer to differentiate Roy from Rick even more.

The lighting in this scene is very dark, this creates a sense of unease for the viewer as there is lots of shadows and for the most part of the fight scene you never know where Roy is going to appear from. The shadows give this an even more unknowing feel. Although it is dark there are shimmers of light from outside, this allows the camera to pick up the action so that it isn’t too dark for us to see, the rays of light from the outside of the building have a natural sense of light rather than the more obvious choice of having lamps dotted around the rooms.When Rick first walks into the room with Pris and all the dolls it is quite light which gives a safer feel for the viewer, as soon as rick discovers one of the mannequins is actually Pris he gets kicked backwards into a much darker room, this was no coincidence, the director had this done so that the darker room is where the fight happens and this makes the audience more scared.As a part of set design, the whole building seems to be leaking with water, this makes it seem like it is raining, rain is a negative weather and directors use rain to add a sense of unease to their scenes.

Finally, the use of special effects in the final scene create a more brutal feel like when Roy takes the nail out the floor board and puts it straight through his hand to pry it open. Of course, the nail didn’t really go through Rutger Hauer’s hand, in the final cut (2007) the nail going through the hand was edited out because it was too brutal, this shows how good the special effects were in 1982 without CGI. This also adds to the brutality of the scene and makes the viewer even more scared of Rutger because of the lengths he will go to so that he can kill Rick.

Summer Task

What makes a Film a “good” Film ?

 

A film I believe to be a good film is “Shutter Island” (directed by Martin Scorsese). Shutter island is a dark thriller and has a very elaborate plot that requires concentration, I believe the plot itself makes it a great film as you must pay your full attention to the film rather than doing something else whilst watching an “easy watch” film like Jurassic Park. In conclusion to my first point I think a good thriller film should mean the audience has to give there full attention.

Shutter island is more famously known for its unbelievable twist towards the end of the film where U.S. Marshall Teddy West (Leonardo DiCaprio) is told he is a prisoner at the mental institution and has been for a long time, This twist could never be expected by anyone watching the film as there was so much attention on the girl who had gone missing to distract the audience from suspecting anything. To sum up my point I think films with an elaborate twist are usually great films.

Cinematography is used in shutter island to present Leonardo’s character as firstly being an important and special character compared to the rest because of the close up shots. Later on in the film when the characters mental problems begin to be unfolded, the camera angle changes to a wider shot of Leo signifying he isn’t any different from the surrounding patients or people. Some shots of Leo’s character are filmed from a higher angle and in a circling motion around the character which shows his insanity.

Sound is very important in a film, this can be any noise such as: speech, music or natural noises. In shutter island the use of sound is crucial in the storm scene. The scene is a very loud scene and this is used to unsettle the audience and take there attention away from the fact that the storm isn’t a real storm and that Leo’s character is actually imagining in. Another example of sound in this film is that whenever there is water eg: rain or a tap, the sound of the water is distinctively loud. This links to back to the plot of the film and how the marshals kids were drowned and this memory is embedded in his subconscious mind.

Cinematography and Diegesis

Diegetic Perspective: Blade Runner 2049 focuses on the toy horse and how it links with the unknown offspring of Deckard in a unique way by not revealing who it is but after a first viewing it becomes obvious. As the AI Joi and how you look at her as human or not is also focused on closely by the camera by when she is not broken up in scenes where the camera doesn’t focus on her compared to when she is broken up in hologram the camera does focus on her. This is done to show her importance to K and every time she is at risk it focuses on it like with the horse and K.

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Intra Diegetic Perspective: The Amazing Spider Man goes into first person when he firsts suits up and swings through Manhattan. This scene use this affect to show the thrill and excitement from Spiderman while the audience see themselves what swinging through the city is like for spider man. By going first person and experiencing this with Spider Man, it shows his transition from superhero to kid as he is as blown away as the audience is.

Extra-Diegetic Perspective:  In both the Deadpool movies, Deadpool breaks the fourth wall throughout for comedic effect by this he is making out he knows he is in a movie by how he talks to the camera and mimics Ferris Beullar in end credits scene, this is used as a gag throughout the both films. Deadpool uses this due to source material where he breaks the fourth wall constantly as a way he shows knows he is in a comic book. Overall this is to play into the character of Deadpool who is unlike everyone on screen as differentiates him to other comedic superheroes, this makes him more iconic to audiences as well as partly being relateble to the audience due to most similar movies taking a more serious approach.

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