Spike Lee Question

Spike Lee the director of Blackkklansman. States that you can’t make a movie on a cultural issue if you are not part of the culture yourself.

In my opinion I think this depends on the movie your making. An example of what I mean come from the 2 movies he has criticised. Detroit and Django Unchained.

An example of the lack of experience with a cultural issue causing issues with a movie is Detroit. The focus on Detroit is the riot in Detroit. However, the overall problem with the movie is that it focusses of Detroit is showing how bad the riots were without much narrative of characterising surrounding it. This makes the message its trying to portray feel forced because of the lack of a connection the audience has to the character going through this situation.

However I think Django Unchained is an example of a movie that covers a cultural issue well by making the slavery and racism in the movie not the main focus. In making the movie focus on the character of Django and his narrative of getting back his wife shows the issues of racism and how it negatively affected Django a character the audience cares about. Showing them the importance of treating everyone with respect, without feeling forced.

Mise-En-Scene in Bladerunner

Mise-en-scene in Bladerunner 

The scene I believe represents a lot of mise-en-scene elements is the scene Towards the end of the film where Rick Deckard (Harrison Ford) is in the building and is trying to find and kill Roy Batty (Rutger Hauer) and Pris (Daryl Hannah).

In the scene there are lots of examples of mise-en-scene such as set design. As you can see in this part of the scene there are a lot of random and weird objects such as dolls and mannequins which fill the room and give an even stranger impression of Pris and Roys character. It also gives Pris a place to hide which is amusing to the viewer as she is hiding in plain sight and adds suspense because we don’t know when she will reveal herself but we know she is there and Rick doesn’t.

Another obvious feature in this scene is costume. Pris’ costume is representing that of a bride, she also has a skin-tight white suit on the help with her disguise as a mannequin. This costume gives her an inhumane personality.

Hair and Makeup: my favorite use of hair and makeup in this film is Pris’ because it makes her look crazy and deranged, the viewer sees this by her short frizzy hair and pale skin with splodges of colour and eye shadow.

When Rick shoots Pris she lets out a horrifying sound of screaming, This links to my next mise-en-scene feature: sound. The screaming sounds as though it is in the background and Pris isn’t making the noises which give the viewer a sense of her soul leaving her body and it alienates her even more.Another example of sound in this scene is where Roy is howling whilst running around the building, this feature is used because Roy sounds like a werewolf and werewolves are partially human just like the replicants, the howling allows the viewer to differentiate Roy from Rick even more.

The lighting in this scene is very dark, this creates a sense of unease for the viewer as there is lots of shadows and for the most part of the fight scene you never know where Roy is going to appear from. The shadows give this an even more unknowing feel. Although it is dark there are shimmers of light from outside, this allows the camera to pick up the action so that it isn’t too dark for us to see, the rays of light from the outside of the building have a natural sense of light rather than the more obvious choice of having lamps dotted around the rooms.When Rick first walks into the room with Pris and all the dolls it is quite light which gives a safer feel for the viewer, as soon as rick discovers one of the mannequins is actually Pris he gets kicked backwards into a much darker room, this was no coincidence, the director had this done so that the darker room is where the fight happens and this makes the audience more scared.As a part of set design, the whole building seems to be leaking with water, this makes it seem like it is raining, rain is a negative weather and directors use rain to add a sense of unease to their scenes.

Finally, the use of special effects in the final scene create a more brutal feel like when Roy takes the nail out the floor board and puts it straight through his hand to pry it open. Of course, the nail didn’t really go through Rutger Hauer’s hand, in the final cut (2007) the nail going through the hand was edited out because it was too brutal, this shows how good the special effects were in 1982 without CGI. This also adds to the brutality of the scene and makes the viewer even more scared of Rutger because of the lengths he will go to so that he can kill Rick.

Summer Task

What makes a Film a “good” Film ?

 

A film I believe to be a good film is “Shutter Island” (directed by Martin Scorsese). Shutter island is a dark thriller and has a very elaborate plot that requires concentration, I believe the plot itself makes it a great film as you must pay your full attention to the film rather than doing something else whilst watching an “easy watch” film like Jurassic Park. In conclusion to my first point I think a good thriller film should mean the audience has to give there full attention.

Shutter island is more famously known for its unbelievable twist towards the end of the film where U.S. Marshall Teddy West (Leonardo DiCaprio) is told he is a prisoner at the mental institution and has been for a long time, This twist could never be expected by anyone watching the film as there was so much attention on the girl who had gone missing to distract the audience from suspecting anything. To sum up my point I think films with an elaborate twist are usually great films.

Cinematography is used in shutter island to present Leonardo’s character as firstly being an important and special character compared to the rest because of the close up shots. Later on in the film when the characters mental problems begin to be unfolded, the camera angle changes to a wider shot of Leo signifying he isn’t any different from the surrounding patients or people. Some shots of Leo’s character are filmed from a higher angle and in a circling motion around the character which shows his insanity.

Sound is very important in a film, this can be any noise such as: speech, music or natural noises. In shutter island the use of sound is crucial in the storm scene. The scene is a very loud scene and this is used to unsettle the audience and take there attention away from the fact that the storm isn’t a real storm and that Leo’s character is actually imagining in. Another example of sound in this film is that whenever there is water eg: rain or a tap, the sound of the water is distinctively loud. This links to back to the plot of the film and how the marshals kids were drowned and this memory is embedded in his subconscious mind.

Cinematography and Diegesis

Diegetic Perspective: Blade Runner 2049 focuses on the toy horse and how it links with the unknown offspring of Deckard in a unique way by not revealing who it is but after a first viewing it becomes obvious. As the AI Joi and how you look at her as human or not is also focused on closely by the camera by when she is not broken up in scenes where the camera doesn’t focus on her compared to when she is broken up in hologram the camera does focus on her. This is done to show her importance to K and every time she is at risk it focuses on it like with the horse and K.

Image result for blade runner 2049 wooden horseImage result for blade runner 2049 joi

Intra Diegetic Perspective: The Amazing Spider Man goes into first person when he firsts suits up and swings through Manhattan. This scene use this affect to show the thrill and excitement from Spiderman while the audience see themselves what swinging through the city is like for spider man. By going first person and experiencing this with Spider Man, it shows his transition from superhero to kid as he is as blown away as the audience is.

Extra-Diegetic Perspective:  In both the Deadpool movies, Deadpool breaks the fourth wall throughout for comedic effect by this he is making out he knows he is in a movie by how he talks to the camera and mimics Ferris Beullar in end credits scene, this is used as a gag throughout the both films. Deadpool uses this due to source material where he breaks the fourth wall constantly as a way he shows knows he is in a comic book. Overall this is to play into the character of Deadpool who is unlike everyone on screen as differentiates him to other comedic superheroes, this makes him more iconic to audiences as well as partly being relateble to the audience due to most similar movies taking a more serious approach.

Image result for deadpool ferris bueller end scene

Activity 1 – Diegesis

Diegetic film: The Wizard of Oz (dir. Victor Fleming, 1939)

Diegesis is another word for the storyline that the film shows to the audience. The Wizard of Oz is a very good example of a diegetic film, as it creates a very believable world through the costumes, sets and camera work. Throughout the movie, many different props or scenes are carefully focused on to highlight their importance to the audience. For example in this scene, Dorothy first gets the ruby slippers and the camera changes to focus on them. This brings them to the attention of the audience, and helps them to realise their significance to the rest of the film.

Intra-diegetic film: The Blair Witch Project (dir. Eduardo Sanchez, 1999)

This film was filmed to look like found-footage, which suits the horror movie genre and adds to the tension created. For example, in this scene the monster comes towards the characters, but as the audience are shown the movie through the characters’ perspectives, it seems as if the monster is coming towards us. This way of shooting the movie makes the jump scares more effective and the overall movie more scary. It also adds to the believability of the film – even though the audience know it isn’t real, the shaky camera work and immersion with the characters make it seem almost like they’re there.

Extra-diegetic film: The Wolf of Wall Street (dir. Martin Scorsese, 2013)

An extra-diegetic film is when characters break the fourth wall and talk directly to the audience. In The Wolf of Wall Street, the narrator often talks down the camera to the audience. This breaks the fourth wall of the film, as the audience are acknowledged, rather than leaving them as people just watching the film. This is effective, as it creates a more lighthearted feel to the serious film. However, it does take away a bit of the film’s believability, as it is no longer contained within the rules of its own universe. This film is based on the real Jordan Belfort’s memoirs, so the main character talking to the audience is appropriate in this sense.

Cinematography and diegesis

Use of close up- Digetic

My example of an effective use of this is a scene from Avengers: Age of Ultron where the very last form of Ultron is standing opposite his failed vision. This close up is used to show how weak and destroyed ultron is, to show that he has lost and he is truly powerless. During this scene Ultron and Vision have an almost father son conversation about themselves and humanity as a whole, and serves to make us almost feel bad for ultrons demise, while ultron is portrayed through all of it as weak and fragile vision is portrayed with powe, the close ups help with this as it makes it more personal as even though he is robotic his body language and voice are displayed to add emotion and impact to what he says.

Image result for ultron kills ultron

 

Intra-diegetic –

The opening scene in Spider man homecoming is a first person montage of peter documenting his day where he is given his new suit etc. This montage is used to show how excited peter is and how keen he is to be helping and doing something good, this scene makes peter feel more relatable as he acts how any teenager who has been given super powers would act, overall this scene is great for portraying and building the character of peter Parker in the fan favorite way.

Image result for spider man homecoming opening scene

 

Extra-diegetic

In the film – Deadpool 2, the main character of deadpool constantly breaks the fourth wall and speaks to the audience, this is done for not only comedic purposes but is also a specific character trait of deadpool. Comedy is however definitely the main focus as deadpool constantly makes jokes referencing pop culture and previous films in the same cinematic universe which allows more devoted fans to almost feel some kind of recognition from the character of deadpool as some of the things he says will only be understood by people who have extensive knowledge of both the comic source material and the other films,

Image result for deadpool

Cinematography Activity 1

A use of intra-deigetic perspective is in American Sniper (2014, Clint Eastwood) where the camera perspective is from the main protagonist looking through the sniper scope.

A use of deigetic perspective is the panoramic shot used in Lord of The Rings (2001, Peter Jackson) In the panoramic shots used to show the landscape.

A use of extra-deigetic perspective is how a character looks straight at the camera to try and involve the veiwer, an example is ‘Wolf of Wall Street’ (2013,

cinematography

Cinematography is the art of photography and camerawork in film-making.

Cinematographer is a director of photography and is the chief over the camera and light crews working on a film and is responsible for making artistic and technical decisions related to the image.

The difference between a cinematographer and a director is a director of photography is hands off and usually watches a monitor, directing camera operators instead of handling the camera herself. A director commands the whole cast and crew.

Cinematography starter activity

What is cinematography?

“Cinematography” is the art of photography and camerawork in film-making.

What is a “Cinematographer”?

A director of photography, shortened to D.O.P. Also the chief of the camera and lighting.

How is a cinematographer’s job different to that of a director?

a director is in charge of conveying how they want the narrative to be played. A cinematographer takes that idea and transfers it into a scene.