What Makes A Film Good

This is my induction task essay where i describe how the accumulation of micro and macro elements can help to create a “Good Film”

Film’s can be deconstructed into macro and micro elements; Macro elements include genre, message and value, representation, narrative, style, authorship and theme. Micro elements include editing, cinematography, mise-en-scene and sound. In order for a film to be successful, these key elements must be well thought out.

 

For example with micro elements cinematography plays a large part, this includes camera angles and lighting and how scenes are captured to portray  the narrative as well as possible. Additionally, sound is very important, in general it is the sound in the movie that makes it seem real, whether it is a bone breaking or a wave crashing, if the sound is believable it will be more successful; with an audience.

Not only that but editing is also an important micro element. Whether it is the combination of scenes using transitions, the colour correction of a sunset or the c.g.i, editing is very important in turning a raw, unprocessed recording into a film.

Finally mise-en-scene, mise-en-scene is the arrangement of everything in a scene. For example, the setting of a scene can tell what kind of an experience one will have in it or how it can affect someone / something. If the scene is in the desert, you will expect it to be hot etc. Another part of mise-en-scene is costume, whether or not someone fits into the scene will reveal how they impact the community and how they may feel. A fancy person in a poor town will stand out and cause a sense of discomfort. There are many other attributes and elements of mise-en-scene but in general it is the amalgamation of elements in the scene that will help convey the narrative.

 

Next is macro elements, there are many macro elements so i will explain them briefly.

 

Firstly: Genre

The genre of a film is a way of categorising the film so that it can be advertised to different audiences. Different people prefer different genres and therefore it is all personal preference.

Secondly: message and value.

Many great films are great because of the messages that are portrayed and the values the characters are seen to have. This way the audience can relate to the characters but they may also learn a thing or two from the implicit or explicit messages in the film. These messages can be used to improve the community or to convey certain ideals.

Thirdly: representation

Representation is important because they are specific decisions directors make to create a unique story and directors can choose whether to represent stereotypes normally or abnormally so that their film may differ from other films.

 

Additionally narrative is important

Narrative is the story or plot of a film, it can be fictional or non-fictional. Good narratives have a beginning, middle, and end and show development to create differentiation.

Conjointly, style must be acknowledged.

Style is the way the film is presented to express ideas with a  different or interesting approach

Furthermore,

Authorship is an interesting macro element that helps make a film good.

Authorship is the state of writing, creating or causing. Ideally a good authorship would have a clear explanation to events in the film so that viewers may understand and yet also help the audience recognise the author by their style.

Finally: Theme

Theme in a film is all about having a basic idea that the plot and narrative runs off, different ideas can be conveyed in different genres by having separate themes. For example horror genre can have happy themes or scary themes. Themes can be more complicated than simple feelings and can relate to current world affairs. And in general are a way for producers to talk about similar ideas in an  alternate way. Therefore it is also similar to style. There is no such thing as a good theme and in fact, what makes a film good is how a producer or character conjoins a theme to a plot or idea so it may be portrayed in a desired way.

 

Spike Lee

Spike lee believes that only a person who has experienced events or has relation to the events can direct a film based on these events.

For example Django Unchained (Quentin Tarantino) is a film about slavery but spike lee says he simply won’t watch it because it was directed by a white man. Django Unchained has won all of these awards but spike lee still believes it isn’t a good film and not worth his time.

 

 

 

 

 

 

Set Design/Space (Star Wars, 1973)

The use of set design in this shot illuminates the surroundings of the characters in focus, and aids to maintain the verisimilitude, which is especially imperative in regards to the genre of the film being Sci-Fi and being made in the 1970s.

The backdrop has more than sufficient detail and creates the sense  of conflict with the Stormtroopers, adding layering of narrative within the scene.

Spike Lee View Point

Spike Lees view says that to tell a story around a political or racial view point you must belong to the group of people the story is about.

For example, a middle class white woman, in lees eyes, can not tell a story about working class black men. As she wouldn’t understand the struggles and hardships.

Do I agree?

  • To an extent, as although I believe they could tell the story in. a possibly successful way, they wouldn’t be able to tell the story with as much meaning and understanding as someone who comes from the same background as the characters he is telling a story about as if they come from the same background, then they will have special insight into how day to day life is for the characters of the story, in turn making the story more realisitic and relatable  to the target audience.

Long Take

When filming Rope (1948), Alfred Hitchcock intended for the film to have the effect of one long continuous take, but the cameras available could hold no more than 1000 feet of 35 mm film. As a result, each take used up to a whole roll of film and lasts up to 10 minutes. Many takes end with a dolly shot to a featureless surface (such as the back of a character’s jacket), with the following take beginning at the same point by zooming out. The entire film consists of only 11 shots.

This film is notable for taking place in real time and being edited so as to appear as a single continuous shot through the use of long takes. In film-

making, a long take is a shot lasting much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and blocking are elements of long-taking, and elements used in the film “Rope”.

 

Summer Task

Favorites

  • Best picture: Logan (James Mangold)
  • Best Director: Edgar Wright (Baby Driver)
  • Best Actor: Heath Ledger (The Dark Knight)
  • Best Actress: Uma Thurman (Kill Bill)
  • Best Soundtrack: Star Wars Episode IV: A New Hope

 

Oscars

  • Best Picture: Get Out (Jordan Peele)
  • Best Director: Jordan Peele
  • Best Actor: Garry Oldman (Darkest Hour)
  • Best Actress: Frances McDormand (Three Billboards…)
  • Best Original Screenplay: Lady Bird (Greta Gerwig)

 

 

I find that a “good” film has a balance of many different elements throughout. For instance, a film can be directed incredibly, have amazing cinematography, impeccable sound design and talented actors, but if the writing is awful, it brings the whole film down, and this is interchangeable with many of the micro and macro elements of filmmaking.

As well as this balance, there also must be a reason for people to want to watch your film; this could be due to a unique but recognizable editing style, like that of Edgar Wright’s films, or Quentin Tarantino’s writing and directing style of extended dialogue and non-chronological storylines. The style of a Director will attract different audiences to see different films. It is also important for a “good” film to include things that many audience members will take for granted, like sound design and editing. In my opinion, these elements are some of the most important as they can really immerse the audience into the film, and help the director get across what they want the audience to feel.

In connection with this to this, there is the cinematography of a film, and while it is a slightly more obvious part of filmmaking that audiences will likely notice more than sound or editing, there are still many people who will take for granted the way a film is shot. For instance, when I saw ‘The Revenant’ for the first time, I took the incredible sweeping shots of the forest and natural lighting for granted, but after researching it, finding out how it was shot and how there was no artificial lights used, it made me appreciate an entirely different side to the film that I wouldn’t have known about otherwise.

The narrative of a film is shown in many different ways; most obviously there is the narrative through dialogue and characters, however using visual elements to convey the story, when used effectively, can produce a much more realistic and immersive world for the audience to get involved in.

In conclusion, a “good” film must have a balance of all the key micro/macro elements, as well as a style to distinguish it from other movies and directors, making your film recognizable, without people necessarily knowing whom the director is before hand. However, I find the most important characteristic of a film is to get the audience immersed in the film using all of the micro and macro elements.