I chose this example from ‘Reservoir Dogs’ (By Quentin Tarantino, 1992) because of it’s spectacular and innovative development of the fore and background. From the scene below, you can see that everything is well-balanced. The ‘victim’ of such is trapped in the foreground, with the villain in the middle; blocking the exit which we can see in the background. This unique positioning ensures that the audience can feel part of the audience as there is much perspective