I chose ‘The Man Who Wasn’t There’ (By Joel and Ethan Coen, 2001) as an excellent example of composition. The whole film uses clever angles and framing, but this particular scene stands out to me because of the rhythm and perspective. There is an aspect of leading lines which draws the audience in immediately, and a strong balance across the scene. The line across the table is an interesting concept because it physically separates the two characters; Ed and Doris across from each other